From Hell

IMDb
The critics, nit-pickers and historical pedants who've trashed this superb piece of truly cinematic movie-making have totally missed the point.

So what if Johnny Depp's English accent isn't exactly "right" for his character? (English accents have always been problematic for all but the most skilled of American actors: Depp pulls it off entirely passably, way way better than - say - Keanu Reeves, risible in Coppola's Dracula. Think of Kevin Costner, who didn't even bother trying in Robin Hood Prince of Thieves.) I'm a Londoner by birth, and for me the accent in no way detracted from Depp's excellent performance.

As for history, again, who cares if the filmmakers have employed a degree of dramatic licence? This is a movie, not a documentary. Nobody knows for sure who Jack the Ripper was, and in order to make the film interesting and enjoyable the writers have speculated a little. Fine by me.

OK, so Heather Graham was impossibly glamorous, but movies with big budgets need a little bit of star appeal. The notion of the "tart with a heart" is a cliché, sure, but nevertheless her character works in the context of the film. (Contrast the depiction of prostitution generally in this film with the utter garbage that is Pretty Woman.)

What's so great about this film? The quirky, literate script; the performances (all, with the possible exception of Graham, excellent); the wonderful photography and production design; the depiction of the murders themselves - elliptical, shocking, mesmerising; and above all the aura of brooding menace, gloom, cruelty, darkness, melancholy and downright despair running through it as deeply as the veins through a block of marble. This is marvellously thoughtful, evocative film-making, very bold and brave. No happy Hollywood ending, no phoney saccharine or cheap laughs to satisfy the popcorn brigade. This is a proper grown-ups movie that probes some of the darkest regions of the human psyche, places mainstream filmmakers like Lucas, Spielberg, James Cameron and their ilk don't dare to go, or couldn't go even if they wanted to. To me it appeals almost on a subconscious level, forcing us to confront our deepest fears and taboos - death, pain, suffering, human wickedness. I can't think of a recent major release that is so relentlessly downbeat.

Don't let the detractors put you off. It's hardly surprising a generation weened on MTV - folk with the the attention span of a gnat and the emotional depth of a paper cup - didn't like it. They've got their Screams and their Scary Movies, and they're welcome to them. This is super stuff, and the Hughes brothers and their collaborators should be heartily congratulated for it.


In Victorian Era London, a troubled clairvoyant police detective investigates the murders by Jack The Ripper

Rotten Tomatoes

MOVIE INFO

The true-life horror story of Jack the Ripper gets a new spin in this screen adaptation of the acclaimed graphic novel by Alan Moore and Eddie Campbell. In 1888, a ruthless and cold-blooded killer begins hunting prostitutes in East London, and while the murderer's work is savage, the mutilation of his victims suggests the fiend has an extensive medical background. Amidst a background of political unrest and barely contained scandal among the royal family, the murderer's grisly exploits shock and frighten all of England, and one of Scotland Yard's top inspectors, Fred Abberline (Johnny Depp), is put on the case, along with his partner, Peter Godley (Robbie Coltrane). Abberline, depending on one's viewpoint, is either blessed or cursed with second sight, and while he blurs his ability to see future events with opium and other drugs, he still has an uncanny ability to ferret out dangerous criminals, which is put to the test as he and Godley search for the Ripper. As Abberline and Godley investigate the neighborhood where the crimes occur, they become acquainted with the prostitutes and street people who were friends and compatriots of the victims, and Abberline finds himself falling in love with Mary Kelly (Heather Graham), a beautiful Irish streetwalker. As Abberline tries to identify the killer before Mary Kelly can become the next victim, he and Godley have to contend with Sir Charles Warren (Ian Richardson), their superior who is keen to pin the murders on a culprit who isn't British, and Sir William Gull (Ian Holm), a respected physician who has his own ideas about the murders and the benefits of psychosurgery. From Hell marked a change of pace for Albert Hughes and Allen Hughes, the sibling directorial team best known for their gritty depictions of America's urban underground in such films as Menace II Society and Dead Presidents. ~ Mark Deming, Rovi

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