Showing posts with label 80's film. Show all posts
Showing posts with label 80's film. Show all posts

Thursday, February 26, 2015

Night Train to Terror



IMDb
  • God and Satan are on a train discussing the fate of three individuals. The stories of the people in question are told in a trio of very strange vignettes. One involves an insane anylum with some very interesting treatment plans. Another involves a 'death club'. The final story shows us the adventures of a server of Satan. This is a strange movie.
    Written by Josh Pasnak <chainsaw@intouch.bc.ca>





MOVIE INFO

God and Satan are on a train discussing the fate of three individuals. The stories of the people in question are told in a trio of very strange vignettes. One involves an insane anylum with some very interesting treatment plans. Another involves a 'death club'. The final story shows us the adventures of a server of Satan. This is a strange movie

Full Movie on SnagFilms

Tuesday, January 13, 2015

Superstition




IMDb
A witch put to death in 1692 swears vengeance on her persecutors and returns to the present day to punish their descendants.


HorrorNewNet
SYNOPSIS:
A family moves into a long-condemned New England household with a big pond out back that everybody loves to swim in. Soon, however, they find that the pond was the site of the execution- by-drowning of a witch three hundred years before, and she’s back to revenge herself on anybody nearby, whether they’re Catholic or not.
There’s not much I love more than watching a new-to-me horror film from the 1980s…except maybe writing a real-time review of said film and sharing my sense of discovery with a few aficionados of the genre. I don’t know much about “Superstition” other than it is alternately known as “The Witch” and it is currently up 126% in popularity this week on IMDB, so I’m coming into this one without much to go on. The film had been sitting innocently enough near the bottom of my Netflix queue for at least a year when, due to a delivery snafu, it wound up in my mailbox  yesterday. Though I try to keep Netflix stocked with (relatively) new releases, this week has seen the home screenings of both the original “Police Academy” and “Loose Screws” (technically a new release…thanks, Severin!), so I guess it is only fitting for this impromptu series to culminate with this horror flick from 1982.
Things start off in grand style: two teens making out in a parked car in front of an abandoned house. Doesn’t get much better than that…except when it does two minutes later after two pranksters scare them off and inadvertently become the prime targets of the unseen menace lurking somewhere in the abandoned house. Not a bad set-up…but let’s see how it’s paid off, shall we?
Still waiting…
One of the pranksters disappears and the other practical joker, who could best be described as a young George Costanza, begins walking through the house yelling “Hey, Artie?!” for five minutes. Seriously? I mean, how are you going to find your friend-
He just found him: Artie’s head is cooking in the microwave! And it just exploded! Nice.
After scrambling over Artie’s headless corpse, young Costanza attempts to escape…and is literally cut in two by the unseen evil. Fade out as the top half of his body tries to crawl away from the cursed building…
Backstory, exposition, backstory…
Turns out the house belongs to a local church. Short history of the property. Some background on Arlan, The Caretaker. “The medical examiner thinks it’s some sort of cult thing.” Some more backstory. It looks like they’re sending the young Reverend David Thompson to, um, renovate the place and get it ready for Pastor Leahy and his family to move in. Okay…
Two fake scares in a row.
We’re finally introduced to Arlan, who runs out to the pond behind the house and starts splashing around with his hand in the water. What why? Maybe this is all connected to the pond somehow? Well, I guess the police detective spying on him is going to be in the best position to figure it all out…unless he’s foolish enough to walk out on the pier all by himself and then drop a bunch of coins right next to the water.  Oh, he is. At least I hope he doesn’t get pulled into the pond by a ghoulish figure. Oh, he did.
Dead policeman…which leads young Rev. Thompson to declare that he is going to drain the pond…which sends Arlan into a rage. Anyone see a connection yet? Nope? Okay.

Full Movie on YouTube

Sunday, January 4, 2015

The Children




IMDb
A nuclear-plant leak turns a bus-load of children into murderous atomic zombies with black fingernails.


Wikipedia

Plot[edit]

The movie is set in the fictional New England town of Ravensback. After a couple of local chemical plant workers named Jim and Slim decide to call it a day and head for the bar. Unfortunately a large buildup of pressure causes a yellow toxic cloud that drifts across the ground from a leak in one of the pipes to form. Meanwhile, a school bus is taking children home. After dropping one child off, Kathy, there are only five children left on the bus: Paul MacKenize, Jenny Freemont, Ellen Chandler, Tommy Button, and Janet Shore. Kathy's mom arrives to pick her up and drives pass the school bus. She waves to the children, as they are singing road songs. Suddenly the bus passes through the toxic cloud. Kathy arrives home, but the school bus is detained somewhere.
After Billy Hart, the local sheriff, finds the idling bus abandoned near a cemetery, and the children's possessions still there, he radioes to his deputy Harry Timmons, and Molly, an older woman who works at the localgeneral store and acts as the part-time police dispatcher. Reluctantly, Timmons sets up a roadblock at the intersection of the main highway and the lone road leading into town, recruiting a couple of armed locals, believing that the children were possibly victims of kidnapped.
Meanwhile, Dr. Joyce Gould, Tommy's mother's female lover, who's hostile towards the sheriff for no reason goes with him to investigates. She hops on the school bus where she finds Tommy's things on board. She ends up at the cemetery, goes looking for him, but she ran up to a nearby gravestone and falls over on the bus driver's badly burnt corpse. Soon after, when Tommy approaches Joyce she gives him a hug. When they embrace, Joyce suddenly screams while yellow steam comes from Tommy's hands, and burns Joyce alive before Tommy finally releases her corroded body and trudges on.
Later, Ellen sneaks through the woods near a road where John Freemont, father of Jenny, is working on his car. Sheriff Hart gives him a lift home, while Ellen, after watches them unnoticed and decides to move along, and finally goes home where she encounters her mother, Rita to the door to Ellen's outstretched arms to hug her—before being incinerate and roasted to death. Her father, Bob, then comes to the door and is shocked at the spectacle. Ellen goes to hug him, but he backs away from her into the house while she follows.
Paul MacKenize comes home and startles his sister. He then starts walking towards her with his arms outstretched while she backs away from him, she slaps him in the face, trying to rouse him from his apparent trance. They wind up in a workroom part of the house where, off-camera, he kills her as she screams. Paul's father, Cyrus, is then killed after discovering Paul with her body.
While John and Billy on the road, they encounter Janet Shore standing in the middle of road, who is dazed like the other zombified children, pale-faced and apparently stunned. They put her in the car to drive her home. It turns out that Janet has not yet fully transformed into a radioactive zombie, but she gradually changes into one during the ride (as evidenced by her fingernails shown turning black). After they stop, she attacks Sheriff Hart, who is able to dodge her while she flees the vicinity.
Eventually, the zombified Ellen, Tommy, and Paul meet and walk together to congregate. They are spotted by Deputy Timmons, who radios the station, but is soon killed. The three children converge in front of the general store where an overjoyed (and misguided) Molly comes outside to hug them—and is (in typical form) roasted to death.
Meanwhile, John and Billy are checking other homes in the area, finding the occupants dead in much the same way. They go to John's home to meet his pregnant wife, Cathy and his younger son, Clarkie. They are relieved that Cathy and Clarkie are unharmed. John begins to give orders, but does not divulge any information to Cathy or Clarkie.
The five wandering little zombies approach the house once they spot the people inside. Jenny attempts to hug Cathy, but John runs out of the house and pulls her away in time. Meanwhile, Paul climbs to the upper level of the house and is let through the window by Clarkie (who does not realize what Paul is). They play a quiet game of tag, after Clarkie hides in his closet, Paul kills him in typical form.
Billy shoots the zombies with his pistol, but the bullets have no effect on them. Cathy, still not aware of the children's zombified state, Cathy knocks Billy out with a glass object, in order to stop him from shooting them. She then finds Clarkie's roasted body, and tells John, who runs upstairs and tearfully puts the child's body back to bed.
Paul then attacks the adults, while Billy instinctively picks up a replica katana and chops off both Paul's hands as he howls in pain, which kills Paul while the fingernails on his severed hands reverts to normal. Ellen then breaks through one of the windows with one hand, which is immediately severed by Billy, causing her to apparently die. Billy and John then goes outside, with the sword in hand, to find the rest of the zombies. The remaining three zombies—Tommy, Janet, and Jenny—converge at the upper level of the barn on the property, where they are found by John and Billy who, despite Jenny's pleas to John, are promptly dismembered and killed.
While an exhausted John collapses to the ground near the barn, Billy wearily goes to his car to radio for help—while Ellen suddenly rises from the back seat who grabs Billy by the neck and roasts him to death. John hears Billy's screaming and approaches with his sword to finish Ellen, after which he flings his sword in disgust, and collapses into a deep sleep next to Billy's corpse.
The next morning, Cathy yells to a still-sleeping John that "it's time", he wakes up and runs frantically into the house to help her deliver their third child. As they are delivering the baby, the camera pans over all of the dead bodies (except Clarkie's) showing Sheriff Hart's corpse, all five of the unfortunate children laying peacefully and hacked up. After the baby is delivered, John is aghast and wide-eyed as he notices that his newborn child has black fingernails.[
Full Movie on YouTube

Tuesday, November 25, 2014

SunStorm



IMDb


When The General is assassinated, his daughters are left embroiled in a scheme that leads all the way to the CIA and U.S. Treasury department.

MOVIE INFO

Rafi Eisenman's thriller Sunstorm starts with he killing of the General (Stacy Keach). His four daughters are eager to inherit the fortune from their father's gambling business, but the person who masterminded his death, Victoria Warren (Bo Derek), has her eyes on the fortune as well. The daughters team up to get their revenge, but they learn that their father's life was much more complicated than they ever knew.

Full Movie on PopCornFlix

Saturday, October 11, 2014

Vampire Vixens from Venus



Heres an 80's flop have to put in some funny that was not to be funny B Rated movie
IMDb
  • Three Venusians land on Earth and transform themselves into beautiful buxom babes, then go about their task of sucking the life force out of unsuspecting males. Theirdisguises are a propos since the life force is more valuable when extracted at a moment of extreme sexual excitement. Meanwhile, Detective Oakenshield bumbles his way into the investigation of the dessicated bodies while trying to impress his new partner Jack and his new love interest Shampay.
    Written by Ed Sutton <esutton@mindspring.com>

Review Summary

This low-budget (very low budget) sci-fi comedy is about three aliens who land in Fort Lee, New Jersey. In order to blend in, they morph themselves to look like the local women. Unfortunately, most of the local women look like hookers, and the three of them are continually hit upon by nerdy teenage boys. ~ Brian Gusse, Rovi

Full Movie on PutLocker

Wednesday, September 17, 2014

The Boogey Man



Rotten Tomatoes

Movie Info

Fassbinder protegee Ulli Lommel directed this moody, atmospheric but ultimately derivative horror film about a dark family secret and the broken mirror which releases that secret's malignant spirit. The film's prologue opens in the 1960s, when a young boy conspires with his sister to murder their mother's cruel and abusive lover. Flash forward to the present, with both siblings scarred by the emotional demons of their past: the boy has remained mute since that fateful day, and his sister (Suzanna Love, aka Mrs. Lommel) is tormented by nightmares. If that weren't enough, a literal demon is released when the old mirror which paid witness to their deed is shattered, releasing their victim's enraged spirit to seek bloody revenge... and he's not too particular about who he takes it out on. Released on the coattails of Halloween, this film retains many elements of John Carpenter's seminal work (brooding piano/synthesizer score; 20-years-later supernatural revenge motif) and borrows heavily from The Exorcist for its demonic-possession climax, but retains none of those films' well-crafted suspense, choosing instead to rely on shock effects and shots of sharp objects plunging into throats, eyes, mouths and abdomens. Lommel's use of rich colors and inventive camera angles lends a suitably creepy mood, but a better script might have elevated this one to true cult-classic status. Followed by a tired sequel constructed mainly of reused scenes from its predecessor. ~ Cavett Binion, Rovi

Through the reflection in the mirror, a girl witnesses her mother's boyfriend's murder.

Full Movie on SnagFilms

Saturday, January 4, 2014

The Texas Chainsaw Massacre 2 (1986)







Rotten Tomatoes

Movie Info

Over ten years after making the original Texas Chainsaw Massacre, Tobe Hooper returns to his deranged family of reclusive cannibals for another round of chainsaw chases and non-stop screaming. Hooper brings a real budget this time (having recently directed Poltergeist for Steven Spielberg) and the talents of veteran make-up artist Tom Savini. This means he can make things bigger, louder, and gorier than ever before -- and they are. He also brings a wacky, self-deprecating sense of humor, as if deliberately flaunting Texas Chainsaw Massacre's status as one of the first and still greatest "splatter" movies. The result is an impish take-off on the original film (and contemporary horror movies in general) that elevates its own clichés -- buckets of blood and gore, droll dialogue, the screaming female lead -- to the level of high camp. The movie is loosely concerned with a small-town disc jockey named "Stretch" (Caroline Williams, who does most of the screaming) and an embittered Texas Ranger named "Lefty" (Dennis Hopper). They team up and decide to put an end to the murderous activities of the Sawyer family once and for all (that is, of course, until Texas Chainsaw Massacre III). The real highlight of the film is when Stretch and Lefty find their way into the Sawyer family hideout -- a ruinous, winding abattoir underneath an abandoned amusement park -- and engage in a chainsaw-battle-to-the-death with Leatherface (Bill Johnson) and the rest of the clan. Jim Siedow is back from the first film as the acerbic Drayton Sawyer, the family cook and owner of the Last Roundup Rolling Grill. Chop-Top (Bill Moseley) and Leatherface do most of the movie's dirty work. ~ Anthony Reed, Rovi

Texas Chainsaw Massacre 2, The (1986)

Author: Brett Gallman
Submitted by: Brett Gallman   Date : 2011-10-08 14:36



Written by: L.M. Kit Carson
Directed by: Tobe Hooper
Starring: Dennis Hopper, Jim Siedow, Caroline Williams, and Bill Moseley 




Reviewed by: Brett G.





“The Texas Chainsaw Massacre has not stopped. It continues to haunt Texas. It seems to have no end.”


Tobe Hooper’s The Texas Chain Saw Massacre was a seminal moment in horror history. In many ways, it was the ultimate drive-in film and helped to usher in an era of stark, unapologetic violence in cinema. It was a prelude to the slasher boom, yet was very far removed from that movement because it refused to be a simple body count picture that littered the screen with blood and guts. As hordes of slashers were released during the 80s, the saw remained silent until Cannon Films unleashed The Texas Chainsaw Massacre 2 in 1986. Boasting everything that the original didn’t--star power, a budget, and major studio backing--it’s no surprise that Hooper’s often-maligned sequel turned out so different from the original.

It’s been 13 years since Sally Hardesty escaped from the “window in hell” where her friends were butchered by a family of maniac cannibals. Her wild story was never officially confirmed, and other stories involving similar tales have popped up all over the state in the years since. This brings us to the weekend of the Red River Shootout, where two really obnoxious Texas Longhorn fans decide to play chicken with the wrong people. The joke, of course, is on them, when it’s revealed that one of their intended targets is brandishing a huge chainsaw and proceeds to hack up the two idiots. Conveniently (or not), the two guys happened to be on the phone with a radio station who recorded the entire ordeal. The DJ there, Stretch, seizes the tape as evidence and seeks out the help of Lefty Enright, a disgraced Texas Ranger and Sally Hardesty’s uncle, who has been attempting to prove that his niece’s story is true. Stretch ends up getting a little more than she bargained for, however, when she’s unwittingly taken to the lair of Leatherface and his cannibal family.

This sequel is pretty much everything the original wasn’t; it eschews the suspense-building, faux-documentary style approach and trades it in for something more cinematic. This is evident from the opening credits, which features Herrmann-esque styled strings that soon give way to a synth-laden 80s pop tune. It’s basically got its foot on the gas from the opening moments and it doesn’t let up too often. Even though the opening monologue attempts to re-recreate the original’s sense of dread and atmosphere, it’s soon washed away in a gory, over-the-top romp. The first murder sequence alone contains more blood and grue than the original did for its entire running time, and it’s an altogether different experience from that film.

Many fans lament this fact, particularly all of the absurd black humor that pervades the film. While the original dinner scene especially contained some of this morbid humor, it feels different here. Basically, imagine the bewilderinginsanity of that original dinner scene stretched out over 100 minutes. This one is supposed to be funny in a really stupid way--I would say that only a few of the jokes are actually funny or clever--but it somehow works just right and manages to capture that Texas Chainsaw Massacre spirit, if only ever so slightly. You’re definitely laughing at the film rather than laughing with it, but I don’t think Hooper would have it any other way. The premise itself is the stuff of slasher absurdity: a roving cannibal family that peddles its own special chili sauce (the secret is in the meat!) while operating out of an abandoned Texas battleground amusement park. What’s not to love?

Thus, part 2 isn’t nearly as groundbreaking or as original as its predecessor. Instead, it feels very much informed by all the slasher films of the era. The only leftover from the late 60s and early 70s that inspired Hooper’s original is Bill Moseley’s Chop-Top, an insane Vietnam war veteran. There’s not much of a political statement to be made here, of course, as he’s no more or less crazy than his two brothers, Leatherface and The Cook (as a family, the trio have become a model of Reagan-era excess). Stepping into the role of the former is Bill Johnson, whose portrayal reveals a bit more about the chainsaw-wielding maniac. He’s got a bit of puppy love for Stretch, and the two share a few odd moments where Leatherface shows his affection in a way that only he can. Jim Siedow reprises his role as The Cook, and he’s just as demented as ever. Leatherface gets all the glory (and with good reason--he’s a visually iconic character), but The Cook is the real ringleader and one of the more underrated madmen the genre has ever seen.

The chainsaw fodder here is adequate. Caroline Williams is likeable enough as Stretch, and her Texas twang is somewhat charming. At this point, it’s hard to believe that the legendary Dennis Hopper starred in such a film, but, at the time, he wasn’t exactly A-list. However, oddly enough, he featured a careerresurgence right around this time due to Blue Velvet and Hoosiers. Obviously,The Texas Chainsaw Massacre 2 isn’t nearly as important as those two films, but you’d never know it from Hopper’s performance. He’s giving it his all here, even when he’s not given a whole lot to do; still, he brings a lot of righteous conviction to the role of Lefty, and when he absurdly claims that he’s “the lord of the harvest” at the end of the film, you believe it. If nothing else, this film is worth seeing if you’ve ever wanted to see Hooper dual wield chainsaws and duel with them.

There’s some flaws to be found here as well: the film is overly long at 100 minutes, and there’s a good long stretch where Hopper does nothing but spout crazy, religious-driven dialogue while trying to bring down the cannibal lair. Still, this can be overlooked because there’s some great gore effects by Tom Savini, which is the essential element in a splatter flick like this. It’s grotesque cinema at its finest, really, as the elaborate lair set pieces and the returning Grandpa character are well done effects showcases that make up for a shallow narrative. MGM has actually released the film twice on DVD. The 2006 “Gruesome Edition” is the way to go: it boasts an impressive anamorphic transfer and a nice 2.0 surround soundtrack. There’s also some nice special features, including an audio commentary with Hooper and TCM scholar David Gregory, another commentary with Mosely, Williams, and Savini, deleted scenes, a featurette, and some still galleries. Unfortunately, neither release features the originalBreakfast Club-inspired poster as cover art. Still, it’s a nice package for film that doesn’t even get much love in fan circles. That’s not the case here at OTH, where “the saw is family” (yes, even the red-headed stepchild that is The Next Generation). 
Full Movie on VIOOZ

Cameron's Closet



Rotten Tomatoes

Movie Info

Director Armand Mastroianni's last horror feature before building a more solid reputation as a director of TV movies and series, Cameron's Closet tells the tale of a bright young boy with innate telekinetic powers whosegifts were exploited by his father (Tab Hunter) in a series of controlled experiments. After his father's grisly death, Cameron's powers seem to have abated -- but as any horror aficionado can predict, they have increased exponentially, opening a gateway in the title walk-in for a powerful demon to emerge. The usual band of paranormal experts (including the oddly-cast Chuck McCann) arrive to do battle with the closeted beast and are dealt with in the usual gory ways, until it becomes apparent that only Cameron himself is psychically equipped to deal with the demon one-on-one. What might have been a taut supernatural thriller with good performances is undone by its crude treatment of Carlo Rambaldi's makeup-effects: the lurking demon -- which at one point is merely pulled along on a dolly -- ends up resembling a guy in a dime-store Batman costume. ~ Cavett Binion, Rovi

Movie Reviews : Keep the Door Shut on 'Cameron's Closet'

May 25, 1989|CHRIS WILLMAN
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"Cameron's Closet" (citywide) never should have come out of the closet. It's been locked in for about two years, if the 1987 copyright date is any indication, and lead actress Mel Harris, now a star thanks to TV's "thirtysomething," is probably praying no one noticed this shelved horror oldie slipping quietly into theaters over the weekend. It's a good bet she's safe on that account.
The Cameron of the title is a 10-year-old boy with telekenetic powers who, in the course of some experiments conducted by his dad, has accidentally loosed a loudly gargling demon. Yes, this slave to Beelzebub does like to nestle behind the shirts in Cameron's closet (where you keep expecting it to growl, "No more wire hangers!"), and yes, all the adult characters in the film do seem to spend most of their free time in Cameron's room, despite its increasing notoriety as an easy gateway to hell.
In the script by Gary Brandner, based on his novel, plenty of strange and gory events occur from the get-go, but it takes an hour to get to the point in the screenplay where a minor character hands psychiatrist Harris a helpful documentary videotape which (sort of) explains everything that's been going on. "Cameron's Closet' is the kind of picture that keeps you keep wondering whether you dozed off and missed big chunks of exposition--not, of course, a bad idea.
Watching Tab Hunter in a tiny part as a zombie from hell is inherently amusing, though it's hard to tell if director Armand Mastroianni thought so as well. Much less entertaining are the disappointing creatures by Carlo Rambaldi; the final shots of the vanquished devil-monster recall the infamous rug in "The Creeping Terror" more than Rambaldi's "Alien." In "Cameron's Closet" (MPAA-rated R for gore), the netherworld just isn't what it used to be.
Full movie on Crackle