Showing posts with label Animation. Show all posts
Showing posts with label Animation. Show all posts

Sunday, January 31, 2016

Despicable Me 2




IMDb
When Gru, the world's most super-bad turned super-dad has been recruited by a team of officials to stop lethal muscle and a host of Gru's own, He has to fight back with new gadgetry, cars, and more minion madness.


Plugged IN

MOVIE REVIEW

It hasn't been easy, but Gru is adjusting to his new life.
I mean, just figuring out a while back that he wasn't really rotten to the core was a difficult first step, one that hit him like a photon death ray. After all, training to be the most megalomaniacal meanie ever takes a certain dedication. And then there's all that investment in diabolical contraptions and dastardly thingamajigs. It's not like he can just put that lot up on eBay and get his money back.
But, hey, when it's right … it's right. And Gru—the former supervillain who once swiped the moon and left the world screaming while he postured and mwoohahaed—has come to grips with the fact that he's really a softy down deep. He's an average, bald-headed mastermind who simply lovesbeing a dad to three completely adorable adopted daughters.
And he's getting the swing of things, too. He knows the ins and outs of helping with school projects and kissing everyone goodnight at bedtime. His army of gibberish-spouting, goggle-wearing, yellow minions have successfully rejiggered his manufacturing plant from creating fearsome inventions to producing jellies and jams (though having the Mad Scientist who invented the so-called "fart gun" as your taste tester isn't always a win-win).
There is another sticky situation at hand, though, one that has Gru grimacing grimly. And, no, it's not just Margo's interest in boys or that nosey woman who's incessantly trying to set him up on dates. This is serious, folks! It's a big little something called the Anti-Villain League.
This secretive group wants Gru to track down the evil perpetrator of a fiendish heist. In fact, the Anti-Villain League is seeking a furtive fugitive felon who filched an entire arctic research lab to get his mitts on a transmutation serum that can turn innocent creatures into indestructible monsters. It's the kind of plot Gru himself might have cooked up not long ago. And it's a plot the Anti-Villain League thinks Gru can foil.
But does Gru really want to go out and fight crime? Hmmm. He's not so sure.
There are a few potential advantages, of course. First off, the girls really like the idea of their dad being a secret agent. Then, he would get the chance to break out a few of those old gadgets of his. And there's that lanky agent Lucy Wilde he'd be teamed up with. She's a little obnoxious and overbearing, but when she starts throwing those karate chops and zapping people with her lipstick Taser, it just makes Gru go all weak in the knees. (Especially when she's aiming all those chops and zaps at him!)
Well … the kids have been telling him he ought to date more. Maybe this is the best way to go about it.

Full movie on Pubfilm

Despicable Me




IMDb
When a criminal mastermind uses a trio of orphan girls as pawns for a grand scheme, he finds their love is profoundly changing him for the better.


Rotten Tomatoes
A mysterious criminal mastermind has stolen one of the pyramids in Egypt, sparking a fit of jealous envy in evil genius Gru (Steve Carell), who hasn't managed to make headlines since he and his minions swiped the Times Square JumboTron years back. Ever since Gru was a little boy, he dreamed of going to the moon. Now, if Gru can just build a rocket and get his hands on a powerful shrink-ray, he can cement his reputation as the greatest thief who ever lived by stealing the Earth's satellite right out of the sky. But immediately after Gru heists the shrink-ray, the cunning super-nerd Vector (Jason Segel) swoops in and snatches it right out of his hands. Now, in order to claim the moon, Gru must first reacquire the weapon from Vector. Armed with the knowledge that his nemesis has a mean sweet tooth, Gru adopts cookie-selling orphans Margo (Miranda Cosgrove), Agnes (Elsie Fisher), and Edith (Dana Gaier) and commissions a new line of cookie robots from the evil Dr. Nefario (Russell Brand), his personal weapons specialist. But as Gru and his diminutive yellow minions prepare to carry out the biggest heist in history, something strange happens. Gru discovers that the three little girls who have come into his life are much more than simple pawns. They actually seem to care about Gru, and it turns out the scheming evildoer makes a pretty good father. When Gru realizes that his upcoming moon mission clashes with a ballet performance by the girls, he must decide what's more important -- being a present parent or cementing his nefarious reputation once and for all. ~ Jason Buchanan, Rovi

Full movie on Pubfilm
And HDmovie14

Tuesday, December 8, 2015

Nightmare Before Christmas




RogerEbert
The movies can create entirely new worlds for us, but that is one of their rarest gifts. More often, directors go for realism, for worlds we can recognize. One of the many pleasures of "Tim Burton's the Nightmare Before Christmas" is that there is not a single recognizable landscape within it. Everything looks strange and haunting. Even Santa Claus would be difficult to recognize without his red-and-white uniform.
The movie, which tells the story of an attempt by Halloween to annex Christmas, is shot in a process called stop-action animation.
In an ordinary animated film, the characters are drawn. Here they are constructed, and then moved a little, frame by frame, so that they appear to live. This allows a three-dimensional world to be presented, instead of the flatter universe of cel animation. And it is a godsend for the animators of "Nightmare," who seem to have built their world from scratch - every house, every stick and stone - before sending their skeletal and rather pathetic little characters in to inhabit it.
The movie begins with the information that each holiday has its own town. Halloweentown, for example, is in charge of all the preparations for Halloween, and its most prominent citizen is a bony skeleton named Jack Skellington, whose moves and wardrobe seem influenced by Fred Astaire.
One day Jack stumbles into the wrong entryway in Halloweentown, and finds himself smack dab in the middle of preparations for Christmas. Now this, he realizes, is more like it! Instead of ghosts and goblins and pumpkins, there are jolly little helpers assisting Santa in his annual duty of bringing peace on earth and goodwill to men.
Back in Halloweentown, Jack Skellington feels a gnawing desire to better himself. To move up to a more important holiday, one that people take more seriously and enjoy more than Halloween. And so he engineers a diabolical scheme in which Santa is kidnapped, and Jack himself plays the role of Jolly Old St. Nick, while his helpers manufacture presents. (Some of the presents, when finally distributed to little girls and boys, are so hilariously ill-advised that I will not spoil the fun by describing them here.) Tim Burton, the director of "Beetlejuice," "Edward Scissorhands" and the "Batman" movies, has been creating this world in his head for about 10 years, ever since his mind began to stray while he was employed as a traditional animator on an unremarkable Disney project.
The story is centered on his favorite kind of character, a misfit who wants to do well, but has been gifted by fate with a quirky personality that people don't know how to take. Jack Skellington is the soul brother of Batman, Edward and the demon in "Beetlejuice" - a man for whom normal human emotions are a conundrum.
"The Nightmare Before Christmas" is a Tim Burton film in the sense that the story, its world and its look first took shape in Burton's mind, and he supervised their filming. But the director of the film, a veteran stop-action master named Henry Selick, is the person who has made it all work. And his achievement is enormous.
Working with gifted artists and designers, he has made a world here that is as completely new as the worlds we saw for the first time in such films as "Metropolis" (1927), "The Cabinet of Dr. Caligari" or "Star Wars." What all of these films have in common is a visual richness, so abundant that they deserve more than one viewing. First, go for the story. Then go back just to look in the corners of the screen, and appreciate the little visual surprises and inspirations that are tucked into every nook and cranny.
The songs by Danny Elfman are fun, too, a couple of them using lyrics so clever they could be updated from Gilbert & Sullivan. And the choreography, liberated from gravity and reality, has an energy of its own, as when the furniture, the architecture and the very landscape itself gets into the act.

Rotten Tomatoes
Despite having recently presided over a very successful Halloween, Jack Skellington, aka the Pumpkin King, is bored with his job and feels that life in Halloweenland lacks meaning. Then he stumbles upon Christmastown and promptly decides to make the Yuletide his own.


Full movie on MegaShare
And Twomovies
And Pubfilmno1

Tuesday, September 29, 2015

Hotel Transylvania 2




IMDb
Dracula and his friends try to bring out the monster in his half human, half vampire grandson in order to keep Mavis from leaving the hotel.


Rotten Tomatoes

MOVIE INFO

The hit CG-animated family comedy Hotel Transylvania gets a follow-up with this Sony Pictures Animation production.

Full Movie on Primewire

Thursday, April 2, 2015

Nightmare Before Christmas

Charming heres Jack for you!




IMDb
ack Skellington, king of Halloween Town, discovers Christmas Town, but doesn't quite understand the concept.



Rotten Tomatoes

MOVIE INFO

Despite having recently presided over a very successful Halloween, Jack Skellington, aka the Pumpkin King, is bored with his job and feels that life in Halloweenland lacks meaning. Then he stumbles upon Christmastown and promptly decides to make the Yuletide his own.
Full Movie on Movie4k

Friday, February 20, 2015

The Last Unicorn

Putting in another all Family fun movie


IMDb
A brave unicorn and a magician fight an evil king who is obsessed with attempting to capture the world's unicorns


Wikipedia

Plot[edit]

In an enchanted forest, a unicorn learns she is the last of her kind; a butterfly reveals that a demonic animal called the Red Bull herded her kind to the ends of the earth. Venturing into unfamiliar territory beyond the safety of her home, the Unicorn journeys to find them and bring them back.
The Unicorn is captured by the witch Mommy Fortuna, and is put on display in the witch's Midnight Carnival. She makes friends with Schmendrick, an incompetent magician under the services of Mommy Fortuna. While most of the attractions are normal animals with a spell of illusion placed on them (like a Manticore being a toothless lion, a Satyr being a crippled chimpanzee, and the "Midgard Serpent" being a mere snake), Fortuna keeps the immortal harpy Celaeno captive as well; the witch acknowledges the dangers of caging such a monster, but deems the risk secondary to the deed's recognition and prestige. With the help of Schmendrick, the Unicorn escapes, freeing Celaeno in the process, who kills Fortuna and her henchman Ruhk. The Unicorn and the wizard later gain a second traveling companion, Molly Grue, the careworn lover of bandit leader Captain Cully.
When the Unicorn nears the seaside castle of King Haggard, supposed keeper of the Red Bull, she encounters the animal, which turns out to be a monstrous fire elemental. At the last moment before her capture, Schmendrick's unpredictable magic transforms her into a human woman with white knee-length hair. In this guise the Red Bull is uninterested in her and departs. The Unicorn suffers tremendous shock at the feeling of mortality in her body. While Molly wraps the Unicorn's human form in a blanket, Schmendrick states that the magic, not he, chose the form, and promises that he will return her to normal after the quest is complete.
Schmendrick, Molly Grue and the now-human Unicorn proceed to King Haggard's castle. Haggard is at first unwelcoming, and Schmendrick introduces the Unicorn as his niece, Lady Amalthea. Schmendrick requests that the three of them stay there as members of Haggard's court, only to be told that the only occupants of the castle are Haggard, his adopted son Prince Lír and four ancient men-at-arms. Haggard consents to lodging the trio, replacing his more competent on-call wizard, Mabruk, with Schmendrick, and setting Molly Grue to work in his scullery.
Amalthea begins to forget her identity and her reasons for coming to the castle, and falls in love with Prince Lír. Caught in her newfound emotions, she struggles with thoughts of abandoning her quest for the sake of mortal love. Haggard confronts Amalthea in private conversation, hinting at the location of the unicorns, yet from the waning magic in her eyes, he has doubts regarding his previous suspicions that she is more than she seems. Molly learns the location of the Red Bull's lair from a talking cat.
Molly, Schmendrick and Amalthea are joined by Lír as they enter the bull's den. Schmendrick reveals Amalthea's true identity to Lír after explaining what they are looking for. Lír is unmoved and says that he loves her anyway. This makes Amalthea want to abandon the quest and marry Lír, but Lír dissuades her. The Red Bull appears, but is no longer deceived by Amalthea's human form and chases after her. As Lír struggles to protect her, Schmendrick turns Amalthea back into the Unicorn, but she is unwilling to leave Lír's side. The Bull drives her toward the ocean, just as he earlier drove all the other unicorns, but she manages to run away and the Red Bull gives chase. Lír tries to defend her, but is killed by the bull. Enraged, the Unicorn turns on the Bull and forces him into the sea. Carried on the white surf of incoming tides, the other unicorns emerge en masse from the water, causing Haggard's castle to collapse into the sea as they rush past, with Haggard falling to his death.
On the beach, the Unicorn magically revives Lír before departing for her forest. Schmendrick assures Lír that he has gained much by winning the love of a unicorn, even if he is now alone. The Unicorn briefly returns to say goodbye to Schmendrick, who laments that he has done her wrong by burdening her with regret and the taint of mortality. She disagrees and thanks him for having helped to restore unicorns to the world; though she is the only unicorn to feel regret, she is also the only unicorn to know love. Schmendrick and Molly watch the Unicorn depart for her home in the woods.

Full Movie IwannaWatch