Showing posts with label history. Show all posts
Showing posts with label history. Show all posts

Sunday, November 29, 2015

Best of Enemies




IMDb
A documentary on the series of televised debates in 1968 between the liberal Gore Vidal and the conservative William F. Buckley Jr.


Rotten Tomatoes
In the summer of 1968, television news changed forever. Dead last in the ratings, ABC hired two towering public intellectuals to debate each other during the Democratic and Republican national conventions. William F. Buckley, Jr. was a leading light of the new conservative movement. A Democrat and cousin to Jackie Onassis, Gore Vidal was a leftist novelist and polemicist. Armed with deep-seated distrust and enmity, Vidal and Buckley believed each other's political ideologies were dangerous for America. Like rounds in a heavyweight battle, they pummeled out policy and personal insult-cementing their opposing political positions. Their explosive exchanges devolved into vitriolic name-calling. It was unlike anything TV had ever broadcast, and all the more shocking because it was live and unscripted. Viewers were riveted. ABC News' ratings skyrocketed. And a new era in public discourse was born - a highbrow blood sport that marked the dawn of pundit television as we know it today. (C) Magnolia


Full movie on Pubfilmno1

Monday, March 23, 2015

Murder in the Heartland: Search for Video X




IMDb
  • 17 robberies... 11 murders... 6 states... 2 lovers... 1 camera... A film crew sets out to find answers to the worst crime spree in years, and uncovers a secret they never dreamed -- the criminals, Dwayne Foote and Darla-Jean Stanton, actually videotaped their robberies and brutal murders. Now the search begins to find this unimaginable tape called, "VIDEO X." But where is the tape? Who is hiding it and why? Despite arrests and risks to their lives, the film crew travels through the Deep South to interview family, friends and corrupt police officials to find out why "VIDEO X" is missing and why authorities are lying about it. Only one question remains, as the mystery unfolds, one bloody crime spree after another -- what is "VIDEO X" and why must it be kept out of the public eye? Only the tape itself can answer that.
    Written by Steve Longmuir & James D. Mortellaro


17 robberies... 11 murders... 6 states... 2 lovers... 1 camera... A film crew sets out to find answers to the worst crime spree in years, and uncovers a secret they never dreamed - the criminals, Dwayne Foote and Darla-Jean Stanton, actually videotaped their robberies and brutal murders. Now the search begins to find this unimaginable tape called "VIDEO X". But where is the tape? Who is hiding it and why? Despite arrests and risks to their lives, the film crew travels through the Deep South to interview family, friends and corrupt police officials to find out why "VIDEO X" is missing and why authorities are lying about it. Only one question remains, as the mystery unfolds, one bloody crime scene after another - what is "VIDEO X" and why must it be kept out of the public eye? Only the tape itself can answer that.
A Fairuza Balk Movie
Full Movie on SnagFilms

Wednesday, January 14, 2015

The white Dawn




IMDb
  • In 1896, three whalers are stranded in the Arctic North Canada and seek refuge with an Eskimo tribe. Gradually they gain control with the Eskimo village and introduce gambling, booze, theft and their special variation of sex. In the beginning, the Eskimosaccept it but slowly the cultural tension starts growing.
    Written by Frank Christensen <fch@post4.tele.dk>

"The White Dawn," an adaptation of James Houston's novel, is reportedly based on a true story about three New England whaling seamen who, in the spring of 1896, became separated from their ship while on an Arctic hunt and whose lives were subsequently saved by a small tribe of Eskimos living on Baffin Island, below the North Pole.
The movie, which opened yesterday at Loew's Tower East, is earnest, cold and apparently authentic. It was filmed on Baffin Island, under the direction of Philip Kaufman ("The Great Northfield, Minnesota Raid"), with Warren Oates, Timothy Bottoms and Lou Gossett playing the marooned sailors and with Eskimos playing Eskimos.
As an Arctic travelogue it is sometimes so striking that I spent much of the time wondering how certain scenes were photographed: long shots of men walking across ice-flows, the killing of a polar bear, a walrus hunt, the capsizing of a boat that sends the actors into icy water.
Because such things are difficult to stage, one's mind is likely to be on the production problems as often as on the film itself, which, as drama, is almost as bland as the Eskimos appear to be to the three sailors.
I would think, too, that the difficulties of filming in such a location, with a mostly amateur cast, had as much to do with the style of the finished film as did the initial intention of the director and the writers.
Mr. Houston's novel is told in the first person by an Eskimo narrator, which allows the author to provide all sorts of documentary details as well as idiosyncratic portraits of the individual Eskimos. The book is a simple, moving account of a little-known people and of the inevitable confrontation between two civilizations.
Aside from the exotic beauty of its landscapes, the film offers no comparable pleasures and not even much information. It's the story of how the three sailors have the bad judgment to be so rude and boorish to their hosts that they invite a fate they would never understand. The movie is more a story of poor luck than of characters experiencing culture shock.
Warren Oates plays the mean-tempered sailor, Lou Gossett the gentle one and Timothy Bottoms the philosophical one. They are fine.
Some of the hunting scenes (polar bear, seal, walrus) are probably too bloody for small children but I suspect that the film received its R rating because of a couple of shots of bare female breasts and because the movie suggests that the sailors slept with Eskimo women. This rating is absurd and a waste.
"The White Dawn" could have been the sort of movie that a child could go to, with or without parent or adult guardian.
Just to say the book is always better
Full Movie on Kinoband

Sunday, December 21, 2014

Son of the morning Star





NYTimes
This second half of the sweeping TV adaptation ofEvan S. O'Connell's novel (see entry 129099 for details on Part One) stars Gary Cole as George Armstrong Custer, leader of the 7th Cavalry of the Great Plains in the early 1870s. Custer's efforts to maintain peace with the surrounding Native Americans are doomed to failure due to his own arrogance and miscalculations. The Indians reluctantly marshal themselves for war when the white man's lust for gold results in broken treaties and ravaged lands. Part Two culminates in a spectacular (and fairly accurate) recreation of the Battle of the Little Big Horn, pitting Custer against another headstrong tactician, Chief Crazy Horse (Rodney Grant). As in Part One, Part Two of Son of the Morning Star is narrated by Buffy St. Marie, attempting--with moderate success--an "old lady" characterization. Parts one and two were later merged into a single 186-minute TV movie. Side Note: Kevin Costner was offered the role of Custer in Son of the Morning Star, but turned it down to concentrate on his own Native American epic--a little diversion called Dance With Wolves (which also featured Rodney Grant). ~ Hal Erickson, Rovi


IMDb
The story of George Custer, Crazy Horse and the events prior to the battle of the Little Bighorn, told from the different perspectives of two women.


Dull Movie on YouTube

Friday, December 12, 2014

The Lost Legion






IMDb
Following the fall of the Roman Empire, a Roman woman plots to make her son the new Emperor and to fulfill the former glory of the city.


IndustryWorks

The last chance for a new Rome

After the fall of the Roman Empire the city is deprived of its former glory and desperate to recapture its past.  Urbina Prima, a shrewd, spiteful and noble Roman woman schemes to see her son Cassius declared the new Emperor. Standing in her way is her husband and once great Roman commander Maximus, who has struck an alliance with the local tribes to fight off the impending Northern Hordes, expand his territory and who will stop at nothing to attain power.
‘The Lost Legion’ tells the unsettling story of interwoven lives, violent confrontations, debauchery and the inevitable outcome.
THE LOST LEGION_FRONT_TV AD 01_LAYERED
Full Movie on SolarMovie

Friday, July 18, 2014

Caligula (1979)

Ok WARNING This movie is just over Rated Porn. Someone Told me I would like it. I found it a Shock. It was Showing Some Good actors at the time just full out and they're skills not used. But my Friend said I had to post it for the high ranking. I asked what Rank would that be.
Caligula Movie Poster

RogerEbert
"Caligula" is sickening, utterly worthless, shameful trash. If it is not the worst film I have ever seen, that makes it all the more shameful: People with talent allowed themselves to participate in this travesty. Disgusted and unspeakably depressed, I walked out of the film after two hours of its 170-minute length. That was on Saturday night, as a line of hundreds of people stretched down Lincoln Ave., waiting to pay $7.50 apiece to become eyewitnesses to shame.
I wanted to tell them ... what did I want to tell them? What I'm telling you now. That this film is not only garbage on an artistic level, but that it is also garbage on the crude and base level where it no doubt hopes to find its audience. "Caligula" is not good art, It is not good cinema, and it is not good porn.
I've never had anything against eroticism in movies. There are X-rated films I've enjoyed, from the sensuous fantasies of "Emmanuelle" to the pop-comic absurdities of Russ Meyer. I assume that the crowds lining up for admission to the Davis Theater were hoping for some sort of erotic experience; I doubt that they were spending $15 a couple for a lesson on the ancient history of Rome.
All I can say is that the makers of "Caligula" have long since lost touch with any possible common erotic denominator, and that they suggest by the contents of this film that they are jaded, perverse and cruel human beings. In the two hours of this film that I saw, there were no scenes of joy, natural pleasure, or good sensual cheer. There was, instead, a nauseating excursion into base and sad fantasies.
You have heard that this is a violent film. But who could have suspected how violent, and to what vile purpose, it really is? In this film, there are scenes depicting a man whose urinary tract is closed, and who has gallons of wine poured down his throat. His bursting stomach is punctured with a sword. There is a scene in which a man is emasculated, and his genitals thrown to dogs, who eagerly eat them on the screen. There are scenes of decapitation, evisceration, rape, bestiality, sadomasochism, necrophilia.
These scenes -- indeed, the movie itself -- reflect a curiously distanced sensibility. Nobody in this film really seems to be there. Not the famous actors like Malcolm McDowell and (very briefly) Peter O'Toole and John Gielgud, whose scenes have been augmented by additional porn shot later with other people and inserted to spice things up. Not the director (who removed his credit from the film). Not the writer (what in the world can it mean that this movie is "Adapted from an Original Screenplay by Gore Vidal"?) Not even the sound track. The actors never quite seem to be speaking their own words, which were so badly dubbed in later that the dialogue never seems to be emerging from the drama itself.
The film even fails to involve itself in the action. "Caligula" has been photographed and directed with such clumsiness and inelegance that pieces of action do not seem to flow together, the plot is incomprehensible, the events are frequently framed as if the camera was not sure where it was, and everything is shot in muddy, ugly, underlit dungeon tones. The music Is also execrable.
So what are we left with? A movie, I am afraid, that may be invulnerable to a review like this one. There are no doubt people who believe that if this movie is as bad as I say it is, it must be worth seeing. People who simply cannot believe any film could be this vile. Some of those people were walking out of the Davis before I did Saturday night; others were sitting, depressed, in the lobby. That should not, I suppose, be surprising.
The human being is a most curious animal. often ready to indulge himself in his base Inclinations, but frequently reluctant to trust his better Instincts. Surely people know, going in, that "Caligula" is worthless. Surely they know there are other movies in town that are infinitely better. Yet here they are at "Caligula." It is very sad.
My friendly recommendation is that they see "The Great Santini," to freshen their minds and learn to laugh and care again in a movie. People learn fast. "This movie," said the lady in front of me at the drinking fountain, "is the worst piece of shit I have ever seen."

Full Movie on FFilm
And Alluc

Thursday, July 17, 2014

Spartacus Blood And Sand



IGN
Spartacus: Blood and Sand is one of the early surprise hits of the year. With very little fanfare, this little gem of a series sprung up on my radar mere days before the premiere. Not impressed initially, I continued to watch, giving Spartacus the fighting chance it deserved. By the end of Season 1, I'm thrilled that I had the opportunity to review this gem of a show. Created by Steven S. DeKnight, Spartacus is a dark, violent and fascinating look at the life of a gladiator through the eyes of a Thracian slave seeking vengeance.
The series' premiere episode feels detached from the rest of the series. While "The Red Serpent" chronicles Spartacus' (Andy Whitfield) journey from noble Thracian to enslaved warrior, it lacks much of what makes this series so great in later episodes. You'll find none of the Roman political intrigue, subterfuge or any of the memorable characters that we meet later in the series. It's also weighed down by trying to mimic movies like 300and Gladiator. Movies that some may appreciate in their own right, but give this opening foray into the world of Spartacus an uninspired feel. Many, including myself, were not convinced that this series would ever achieve anything more than mediocrity. Thankfully, we were wrong.
As we are introduced to the city of Capua and the world of Batiatus' (John Hannah) Ludus, we quickly discover that this series is much more than the mindless display of violence, sex and gore that "The Red Serpent" would have us believe. We're introduced to a fascinating and diverse supporting cast, some of whom develop even more intriguing stories than the titled character. And while there is an abundance of violence, sex and gore, it's the exceptionally told stories that eventually steal the show.
Andy Whitfield as Spartacus.
By far, the greatest strength of Spartacus: Blood and Sand, is in its intricate storytelling. The first three or four episodes work to introduce us to the hellish world of the gladiator; giving us a very straightforward rundown of the key players and their ambitions. Soon after, the stories shift into a complex stratagem of ruthless, power hungry Romans whose duplicity is only outweighed by their lust for power.
From about "Delicate Things" onward, it's almost as if these vile, deceitful (yet utterly fantastic!) characters are continuously trying to top their scheming from the prior episode. For example, in "Old Wounds" Batiatus hatches a plan to frame one of his competitors for a murder. Batiatus' machinations are reminiscent of something lifted from a Mission: Impossible episode. The entire season is filled with these brilliantly hatched schemes.
While Spartacus may be the title character, he shares the spotlight equally with many of the supporting cast. The story of Crixus (Manu Bennett), the Champion of Capua, takes center stage in the early half of the season as his sexual relationship with Lucretia (Lucy Lawless) is brought to the forefront. Crixus, who initially comes off as a brutish, mindless slave, proves to be anything but. We discover a conflicted man who lives for the glory of the fight yet is clearly missing something in his life. His relationship with Lucretia brings him little comfort and he soon discovers the love of one of her handmaidens.
Crixus' story is so compelling that, for a time, Spartacus becomes a secondary character. Don't be surprised if you find yourself rooting for Crixus, even when he goes toe-to-toe with Spartacus.
I love history, and history heroes, my favorite movie is Braveheart, so i cant believe i wasnt intrigued with this show before!

I knew of Spartacus from history, but when i heard of him it was in junior school, in boring history class, so i wasnt much intruiged with it, then few years later i watched some movie with i think Goran Visnjic and Rhona Mitra, and it wasnt anything special, so those two images in my mind were connected to name Spartacus, so when i heard of the show i didnt want to watch it because of those experiences!



Also i watched movie Gabriel! i liked the movie, but really liked the actor! He just had something!

Than two weeks ago, i was watching Tv changing channels, and i stopped when i saw guys in boat, with chains, i watched the episode i got really intruiged, so i downloaded all the episodes and started watching, i really loved the show, altough some scenes were brutal, there was alot of nudity and sex, but i guess thats what made the show realistic! Last episode of first season is best episode of whole show! ITs amazing episode, especially that part when Spartacus jumps in the air, with help of Crixus and the whole thing begins, it gave me chills, and i dont remember watching anything before that gave me chills! When i found out that Andy died, i couldnt believe it, i think he was and would have been a great actor, i watched trailer for his "Be here now" documentary, and i cried, and i cant remember the last time i cried! after that it was hard to watch the show, with time i got used to it, it was still amazing show, fight scenes through whole show were amazing to me!

I love a lot of actores in the show, Andy as Spartacus offcourse, but also i love Crixus, Onomeus, and all others but especially those three! Through the last two seasons, in every episode i thought to myself, this show is awesome, and it would much more awesome, if Andy was there, i really liked the other actor who played Spartacus, but cant get over Andy death! I would loved that Andy lived, and that that actor Liam played some other role in the show, also it would be much better if original Nevia stayed, the other girl was okay, but when you get used to someone its weird to see someone else to take their role!


Full Movie on ZumVo

Wednesday, April 9, 2014

Brotherhood of the Wolf





IMDB

Storyline

In 1765 something was stalking the mountains of central France. A 'beast' that pounced on humans and animals with terrible ferocity. Indeed they beast became so notorious that the King of France dispatched envoys to find out what was happening and to kill the creature. By the end, the Beast of Gevaudan had killed over 100 people, to this day, no one is entirely sure what it was, wolf? hyena? or something supernatural? Whatever it was, shepherds had the same life-expectancy as the red-suited guys in 'Star Trek'. The Beast is a popular myth in France, albeit one rooted firmly in reality; somewhat surprisingly it is little known to the outside world, and perhaps incredibly it has never been made into a movie. Until now... Based on the true story of the Beast of the Gevaudan that terrorized France in the mid-XVIIIth century, the movie aims to tell first and explain afterwards. In the first part, a special envoy of the King of France, altogether biologist, explorer and philosopher, arrives... Written by Anonymous

 MetaCritic
Summary: Inspired by actual events taking place during the reign of King Louis XV, Brotherhood of the Wolf revisits one of the rare French myths, that of the "Beast of Gevaudan" which killed a number of persons before being vanquished under mysterious circumstances




 Full Movie on PutLocker

Monday, January 6, 2014

Dallas Buyers Club




Rotten Tomatoes

Movie Info

Matthew McConaughey stars in DALLAS BUYERS CLUB as real-life Texas cowboy Ron Woodroof, whose free-wheeling life was overturned in 1985 when he was diagnosed as HIV-positive and given 30 days to live. These were the early days of the AIDS epidemic, and the U.S. was divided over how to combat the virus. Ron, now shunned and ostracized by many of his old friends, and bereft of government-approved effective medicines, decided to take matters in his own hands, tracking down alternative treatments from all over the world by means both legal and illegal. Bypassing the establishment, the entrepreneurial Woodroof joined forces with an unlikely band of renegades and outcasts - who he once would have shunned - and established a hugely successful "buyers' club." Their shared struggle for dignity and acceptance is a uniquely American story of the transformative power of resilience. (c) Focus Features

To give credit where it's arguably due, "Dallas Buyers Club," directed byJean-Marc Vallée from a screenplay by Craig Borten and Melisa Wallack, takes a different storytelling tack than might be expected of an aspiring-to-inspire based-on-a-true-story drama. Beginning in the mid-1980s, a period cited by journalists and historians as the height of the AIDS crisis in the United States, "Club" is about Ron Woodroof, a real-life figure. Woodroof was a hard-partying, ever-on-the-make quasi-cowboy who, on finding himself HIV-infected and with a very-soon-to-come death sentence hanging over him, began aggressively exploring alternative meds. He unwittingly became an advocate and activist, even as he kept himself alive for years longer than any medical experts had told him he could.
Woodroof was also, this story tells us, a bigoted redneck who bristled with more than just fear of mortality when he got his diagnosis. "Dallas Buyers Club" is not just about Woodroof going up against the FDA and Big Pharma and the other institutions and individuals who kept potentially life-saving drugs from sick people who needed them; it is of course also about Woodroof's Growth As A Human Being, and how this growth allows him to work side by side with a flamboyant transsexual, a person he not only wouldn't have given the time of day to in his prior mode of life, but possibly would have given a beatdown to.
But while it highlights performances by both Matthew McConaughey (as Woodroof) and Jared Leto (as the wily, poignant transsexual Rayon) that are models of both emotional and physical commitment (both actors shed alarming amounts of weight to portray the ravages the disease wreaks on their characters), "Dallas Buyers Club" largely goes out of its way to eschew button-pushing and tear-jerking. Shot mostly in a direct, near-documentary style, but edited with a keen feel for the subjectivity of its main characters, "Dallas Buyers Club" takes a more elliptical, near-poetic approach to the lives it portrays than the viewer might expect from this kind of movie. 
As I mentioned at the start of the review, the approach is admirable in theory. In practice, though, it's sometimes mildly frustrating. The struggles of people suffering from AIDS in America were epic, and involved a Physician's Desk Reference worth of meds, and a near-army of regulations and regulatory agencies; that's a lot of data for one two-hour drama, andMcConaughey's character has to act as both an audience surrogate and a hero, but he's also a man struggling with potent demons. Vallée's energetic direction keeps the narrative moving, and there's a real rush when Woodroof's hustling pays off with the creation of the movie's title entity, a sort of medical co-op that gets non-approved meds into the hands of the sick people the health care system can't or won't help. 
The moment-to-moment approach gets choppy sometimes, as when Woodroof is suddenly portrayed in a slick international-drug-smuggler mode; one gets the impression of being in a different movie. Vallée also misjudges, I think, the scenes in which to lay on the portent, as the scene in which Woodroof muddles through his past to figure out how he got infected, and flashes back to a rather overly boogity-boogity scene in which Woodroof has aggressively unprotected sex with two women, one of whom is a junkie. On the other end of a particular spectrum, the movie's potential nod to sentiment, in the form of a potential romance between Woodroof and one of the few helpful/compassionate physicians he encounters (Jennifer Garner, who does good, understated work), seems a little half-hearted.
I understand these sound like quibbles, but I'm trying to come to terms with why "Dallas Buyers Club" is a somewhat more dry experience than I suspect it wants to be. The movie certainly does crackle courtesy of McConaughey. Even as his character is physically wasting away, the actor is unfailing in his portrayal of Woodroof's never-say-die indomitability, and is also unimpeachable in conveying the dangerous sleazoid charm that's a carryover from Woodroof's former footloose existence. 
While Jared Leto's Rayon is often used as Woodroof's foil, Leto's attentive, detail-oriented portrayal of the fragile but supremely street-smart Buyers Club partner gives the character a distinct autonomy. The cast is packed with great actors (Steve ZahnDallas RobertsGriffin Dunne and Denis O'Hare among then) buckling down, and that's key to the movie's pleasures. If "Dallas Buyers Club" falls somewhat short in the categories of historical chronicle, emotional wallop, and information delivery, its conscientious attempts to portray a group of people in trouble in a troubled time delivers mini-epiphanies in a series of small doses. And that isn't nothing.
Full Movie on VIOOZ

Monday, December 16, 2013

Killing Kenndy



Rotten Tomatoes

Movie Info

Based on the best-selling book by Bill O'Reilly and Martin Dugard, Killing Kennedy begins in 1959, at major turning points for both the future president and his assassin. John F. Kennedy (played by Emmy-award winner Rob Lowe) is in Washington, D.C., preparing to announce his presidential candidacy, while Lee Harvey Oswald finds himself in the U.S. embassy in Moscow, renouncing his U.S. citizenship. These two eventsstart both men-one a member of one of the United States' most wealthy and powerful families, the other a disillusioned former Marine and Marxist-on a cataclysmic track that would alter the course of history. Throughout the film, we see their highs and lows, culminating in not one but two shocking deaths that stunned the nation. (c) National Geographic

A Review of National Geographic's Docudrama "Killing Kennedy"

Written by  
A Review of National Geographic&#039;s Docudrama &quot;Killing Kennedy&quot;
National Geographic Channel’s movie Killing Kennedy(based on the book Killing Kennedy: The End of Camelotby Bill O’Reilly and Martin Dugard) premiered on November 10. It reran on November 15 and will air again on December 30.
The docudrama presents a dual timeline — one depicting the presidency of John Kennedy and a parallel dramatization about the life of Lee Harvey Oswald, who, the Warren Commission concluded, killed the president. It stars Rob Lowe as President John F. Kennedy, Will Rothhaar as Lee Harvey Oswald, Michelle Trachtenberg as Marina Oswald, and Ginnifer Goodwin as Jacqueline Kennedy.
The movie credibly presents Oswald’s pro-Soviet, pro-communist background. We first encounter him at the U.S. Embassy in Moscow (an incident that took place on October 31, 1959), where he told embassy officer Richard Snyder that he wanted to renounced his U.S. citizenship and remain in the Soviet Union.

Full Movie on VIOOZ