Watchmen

IMDb
In an alternate 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.


Screened FRebruary 23 for Australian Media.

There's no reason for me to expect I was going to like Watchmen. I knew the cast was interesting - Patrick Wilson has made smart film choices that don't rely on or intentionally subvert his good looks (Hard Candy, Little Children); Jackie Earle Haley was icky in Little Children (and I'm old enough to remember him from Breaking Away); Malin Akerman is cute but 28 Dresses and The Heartbreak Kid do not a superhero make; Jeffery Dean Morgan, Matthew Goode - ??? And director Zack Snyder did cool things with zombies in Dawn Of The Dead and made a wild and wacky movie in 300, which totally indicated his third film was probably going to be worth a look, but...you know, whatever...

So they all signed up for Watchmen - based on a comic bo...sorry, graphic novel...that I'd never read and that was coming to theatres less than a year after Ironman and The Dark Knight had redefined how good superhero movies could (and should, from here on in) aspire to be.

That Watchmen has turned out to be the most complex, exhilarating and deeply-moving fantasy film since Terry Gilliam's Brazil surprises nobody on Earth more than me - and, man, did it surprise.

In equal measure, it is a) an inspired vision of an alternate world that echoes but redefines our own existence; b) a subversive yet bracingly humanistic exploration of the role of the superhero in modern literature, c) a supremely adult take on the fetishistic pull of the heightened existence that life as a saviour of society creates, and d) a wildly exciting adventure story that turns normal people into exaggerated victims of their own creation and then back into mere humans.

An exploration of the plot would reveal more vast themes, but at this early stage of its release I don't want to risk lessening the experience for anyone.

I can reveal this - Billy Crudup as Dr Manhattan and Jackie Earle Haley as Rorschach create characters every bit as captivating (and deserving of Oscar recognition) as Heath Ledger's Joker; Malin Akerman makes an entrance to the world of superhero timelessness that will be the fantasy of every teenage boy, aged 15 to 50; and from the flawless art direction, set design and special effects to a mesmerising soundtrack, Watchmen is a film that revels in the perfection of minor details.

Be warned - those expecting Spiderman-like teen-angst or Fantastic Four-like silliness will be stunned, perhaps not quite sure of what they have found. Watchmen is an extraordinarily mature, risky project for Hollywood to role the dice on, especially given similarly-complex explorations of social collapse and vigilantism (V For Vendetta, most specifically) have failed to do blockbuster numbers.

But Watchmen is something special and deserving of analysis and discussion. As bold an attempt at commercial film-making as I can remember, Watchmen is an undeniably unique movie experience - rich, perverse, violent and resonant.


Rotten Tomatoes

MOVIE INFO

300's Zack Snyder brings Alan Moore and Dave Gibbons' critically acclaimed comic book Watchmen to the big screen, courtesy of DC Comics and Warner Bros. Pictures. Set in an alternate universe circa 1985, the film's world is a highly unstable one where a nuclear war is imminent between America and Russia. Superheroes have long been made to hang up their tights thanks to the government-sponsored Keene Act, but that all changes with the death of The Comedian (Jeffrey Dean Morgan), a robust ex-hero commando whose mysterious free fall out a window perks the interest of one of the country's last remaining vigilantes, Rorschach (Jackie Earle Haley). His investigation leads him to caution many of his other former costumed colleagues, including Dr. Manhattan, Night Owl (Patrick Wilson), Ozymandias (Matthew Goode), Sally Jupiter (Carla Gugino), and her daughter, The Silk Spectre (Malin Akerman). Heralded for bringing the world of superheroes into the literary world, Watchmen gave the super-powered mythos a real-life grounding that had been missing in mainstream comics to that point. The film adaptation had languished in one form of development hell or another for years after the book's release, with various directors on and off the project, including Terry Gilliam, David Hayter, and Darren Aronofsky, as well as Paul Greengrass, whose eventual dismissal stemmed from budget conflicts with the studio. ~ Jeremy Wheeler, Rovi

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Faust:Love of the Damned

 This was a B rated movie trying for a new Spawn it didnt have the Stars in it to be that. Faust is a good story. It was a usual agreement with the Devil which I'm sure you now how that settles Deal with the Devil would end. The movie is on NetFlix

 For the Movie tryed to comic to movie very much like Spawn here the review from the Comics from http://www.comicvine.com

 John Jaspers is a mental patient who has become the lover of his female psychiatrist, Jade de Camp. After disappearing from the asylum, Jaspers somehow sells his soul the devil, in the guise of a criminal mastermind known as M (Mephistopheles). He is then changed into a costume-clad, super-strong vigilante, armed with seemingly unbreakable, razor-sharp metal claws.
 Jaspers eventually becomes too uncontrollable for M and starts preying upon New York City's underworld that M partly controls.

On the big screen John Jaspers sells his soul to the mysterious M (Mephistopheles) in order to avenge the death of his girlfriend. However, the deal has an unexpected price, M transforms John into a horned demon with a passion for killing and gives him a warning that he belongs to M now. Newly escaped from the psychiatric hospital and falling in love with his spychiatrist, John discovers that M plans to release a giant monster called the Homunculus, thereby opening the gates of Hell, and sets out to stop him.

 A man goes to hell and back to avenge the death of the woman he loves in this over-the-top horror story. Troubled artist Jaspers (Mark Frost) is depressed and considering suicide after his girlfriend, an

illegal alien, is killed by thugs. Before he can go through with it, Jaspers is visited by a mysterious man calling himself M (Andrew Divoff). M, which is short for Mephistopheles, is an earthly emissary of the Devil, and along with sexy Claire (Monica Van Campen) and devious Dr. Yanamoto (Junix Inocian), he leads a Satanic cult called the Hand. M and his companions persuade Jaspers to join the Hand, and soon Jaspers and other members of the Hand wreak vengeance by staging a mass murder against the men responsible for the death of Jaspers' lover. But Jaspers finds he quite likes ritual murder, and his enthusiasm leads to sloppiness that gets him arrested; he also becomes involved with Claire, which makes him very unpopular with M. As police detective Margolies (Jeffrey Combs) and psychiatrist Jade de Camp (Isabel Brook) try to get some answers about Jaspers' strange and deadly behavior, Jaspers begins to transform himself into a demonic beast in a desperate battle to defeat M before M can kill him. Faust, Love of the Damned was the first feature from the production company Fantastic Factory, formed by American filmmaker Brian Yunza and Spanish financier Julio Fernandez; the film was shot in Spain with an English-speaking cast. ~ Mark Deming, Rovi

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