Saturday, February 28, 2015

Mr. Jones



IMDb
A young couple moves to the woods and soon finds their nightmares and reality colliding.


Rotten Tomatoes

MOVIE INFO

Scott (Jon Foster of STAY ALIVE) and Penny (Sarah Jones of "Sons Of Anarchy") just moved to a remote cabin to escape the pressures of the world and breathe new life into their art. But they'll soon discover they are not alone: an infamously reclusive artist - known only as 'Mr. Jones' - lives nearby. He doesn't like to be disturbed, and only comes out at night when he drags his strange, sinister sculptures deep into the woods. When Scott and Penny's curiosity leads them too close for Mr. Jones' comfort, he plunges the young couple into a nightmare world of mayhem, madness and mind-bending terror. (c) Anchor Bay
Full Movie on NovaMovie

Donovan's Echo



IMDb
A series of uncanny déjà vu events force a man to re-examine his tragic past, memory, instinct, and future.


Rotten Tomatoes

MOVIE INFO

After a long absence, Donovan returns home to discover events from his past are repeating. Plagued by the idea of déjà vu, Donovan is convinced his young neighbour and her mother will be killed on the 30th anniversary of his wife and daughter'sdeath. Struggling to unlock the pattern, Donovan tries to convince his brother-in-law, Finnley to help prevent a similar tragedy. When his facts don't add up, Donovan's sanity is questioned. Is he losing his mind, or running out of time?

Full Movie on NowVideo


Beauty and The Beast

Disney good musical for Prince Charming and Minnie

Beauty And The Beast Movie Poster


RogerEbert
The film is as good as any Disney animated feature ever made - as magical as “Pinocchio,” “Snow White,” “The Little Mermaid.” And it's a reminder that animation is the ideal medium for fantasy, because all of its fears and dreams can be made literal. No Gothic castle in the history of horror films, for example, has ever approached the awesome, frightening towers of the castle where the Beast lives. And no real wolves could have fangs as sharp or eyes as glowing as the wolves that prowl in the castle woods.
The movie's story, somewhat altered from the original fable, involves a beauty named Belle, who lives in the worlds of her favorite library books and is repelled by the romantic advances of Gaston, the muscle-bound cretin in her little 18th century French village. Belle's father, a dotty inventor, sets off on a journey through the forest, takes a wrong turn, and is imprisoned in the castle of the Beast. And Belle bravely sets off on a mission to rescue him.
We already know, from the film's opening narration, that the Beast is actually a handsome young prince who was transformed into a hideous monster as a punishment for being cruel. And a beast he will be forever, unless he finds someone who will love him. When Belle arrives at the castle, that life-saving romance is set into motion - although not, of course, without grave adventures to be overcome.
Like all of the best Disney animated films, “Beauty and the Beast” surrounds its central characters with a large peanut gallery of gossipy, chattering supporting players. The Beast's haunted castle contains household objects that act as his serving staff, and so we meet Lumiere, a candlestick; Cogsworth, a clock; and Mrs. Potts, a teapot with a little son named Chip. These characters are all naturally on Belle's side, because they want to see the Beast freed from his magic spell.
There are some wonderful musical numbers in the movie, and animation sets their choreography free from the laws of gravity. A hilarious number celebrates the monstrous ego of Gaston, who boasts about his hairy chest and the antlers he uses for interior decoration. “Be Our Guest” is a rollicking invitation to Belle from the castle staff, choreographed like Busby Berkeley running amok. And there is the haunting title song, sung by Mrs. Potts in the voice ofAngela Lansbury.
The songs have lyrics by the late Howard Ashman and music by Alan Menken, the same team who collaborated on “The Little Mermaid,” and they bubble with wit and energy (“Gaston” in particular brings down the house). Lansbury is one of a gifted cast on the soundtrack, which also includes Paige O'Hara as the plucky Belle; Robby Benson (his voice sounding electronically lowered) as Beast; Jerry Orbach as the candlestick who sounds uncannily like Maurice Chevalier; David Ogden Stiers as the cranky Cogsworth, and Richard White as the insufferable Gaston, who degenerates during the course of the film from a chauvinist pig to a sadistic monster.
“Beauty and the Beast,” like 1989's “The Little Mermaid,” reflects a new energy and creativity from the Disney animation people. They seem to have abandoned all notions that their feature-length cartoons are intended only for younger viewers, and these aren't children's movies but robust family entertainment.
Perhaps it is inevitable, in an age when even younger kids see high-voltage special effects films like “Die Hard” or “Terminator 2,” that animation could no longer be content with jolly and innocuous fairy tales. What a movie like “Beauty and the Beast” does, however, is to give respect to its audience.
A lot of “children's movies” seem to expect people to buy tickets by default, because of what the movie doesn't contain (no sex, vulgarity, etc.). “Beauty and the Beast” reaches back to an older and healthier Hollywood tradition in which the best writers, musicians and filmmakers are gathered for a project on the assumption that a family audience deserves great entertainment, too.
Full Movie on Movie4K

The Beautician and the Beast



IMDb
A New York cosmetologist mistakenly thought to be a science teacher is offered a job to teach the children of an Eastern European dictator.



Rotten Tomatoes

MOVIE INFO

A series of merry mix-ups result when the beastly dictator of the formerly communist Slovetzia hires a New York beautician to educate his children. Romantic and comical, the story begins shortly after cosmetology instructor Joy Adams (Fran Drescher) accidentally burns down her classroom. After saving all of her students and the animals they work on, Adams becomes a local celebrity and this catches the eye of Grushinsky (Ian McNeice) the Slovetzian emissary. Believing her to be an unequalled academician, he hires Joy to tutor the children of the ruthlessly handsome tyrant Pochenko (Timothy Dalton). Brash and kitschy with a voice reminiscent of a goose with a head cold, Joy, who believes she was hired to beautify the dictator and his minions, soon causes colorful chaos in the Pochenko's gloomy palace. In the midst of all the cultural clashing, a love affair slowly blossoms.
Oh Come on you know you Love Frans Laugh and witty par ta
Full Movie on SockShare

Friday, February 27, 2015

Bound 2015



IMDb
The daughter of a wealthy real estate broker falls in love with a younger man, who introduces her to B&D and S&M. Using her newly awakened sexual prowess, she finally takes charge of her own life.


FilmRacket
One might expect a review of Bound to open by noting that the movie shouldn’t be confused with the 1996 Jennifer Tilly/Gina Gershon thriller of the same name, but production company the Asylum would probably be happy if audiences did confuse it with that movie. More likely, they’re hoping audiences will confuse Bound with 50 Shades of Grey, the upcoming adaptation of the mega-popular erotic novel that is clearly the impetus behindBound’s existence. Yes, this is another mockbuster from the company that brought you TransmorphersSnakes on a Train and Atlantic Rim, the last of which was helmed by Bound writer-director Jared Cohn.
Cohn was also responsible for Asylum productions Jailbait and Bikini Spring Break, so it might be misguided to expect him to handle sexual content with respect and nuance. Strangely enough, though, while Bound may not be a good movie, it’s not a terrible representation of female sexuality and BDSM, and it deals head-on with the abusive undertones that many have pointed out in the central relationship of 50 Shades. It also refreshingly features a female lead two decades older than the main character of 50 Shades, former Buffy the Vampire Slayer and Angel co-star Charisma Carpenter, who brings more talent than is usually found in an Asylum production to the role of real estate broker Michelle Milan. Daniel Baldwin, however, playing Michelle’s father/boss, sounds like he’s reading all of his lines from cue cards he’s never seen before, which is more in line with the typical effort from Asylum’s version of A-list stars.
A workaholic single mother with a teenage daughter and an unsatisfying sex life, Michelle meets mysterious younger man Ryan (model Bryce Draper) at a restaurant, and soon he’s making uncomfortable sexual demands of her. Red flags should perhaps go off for Michelle when Ryan accuses her of being a daddy’s girl and then declares, “I’m your father, your master, your husband, your god,” but instead she’s excited by his version of BDSM, which mostly involves being a total jerk and messing up her chances to negotiate a major deal at work.
At first the movie seems to be setting up the skeevy Ryan as some sort of sexual savior for Michelle, but it soon becomes clear that he’s nothing more than an abusive douchebag who uses BDSM as an excuse for his bad behavior. Cohn presents a few enlightening scenes that emphasize the respect and consent of actual BDSM relationships, and even though the climactic confrontation between Michelle and Ryan ends up being pretty tame, it offers up something resembling a satisfying character arc for Michelle.
Carpenter helps bring that arc to life in a performance that deserves better than an Asylum production, but Draper’s acting is vapid and flaccid, and the sex scenes, despite featuring copious topless footage of Carpenter, aren’t particularly sensual. The production values are predictably low, with scenes taking place in suspiciously sparse, under-populated locations, and there’s an obvious rushed quality to the entire enterprise (at one point a character’s name changes from Peter to Paul within the same scene, possibly because the filmmakers couldn’t afford a second take).
And while the story of Michelle’s sexual awakening is surprisingly not awful, at least half the plot is taken up with tedious, unconvincing negotiations in Michelle’s effort to save her father’s company via some sort of nonsensical corporate merger. That kind of cheap time-killing is an Asylum trademark, and just because Bound stumbles into something resembling actual insight from time to time doesn’t mean that it isn’t, at heart, just another product of the Asylum assembly line.
Full Movie on FFilms

Time Lapse



IMDb
Three friends discover a mysterious machine that takes pictures 24hrs into the future and conspire to use it for personal gain, until disturbing and dangerous images begin to develop.


Rotten Tomatoes

MOVIE INFO

Three friends find a camera that lets them see the future in this brilliant mind-bender. Later, the trio run afoul of a bookie who's suspicious of their lucky streak.

Full Movie on FFilms

Rosewood Lane




IMDb
When radio talk show psychiatrist, Dr. Sonny Blake, moves back to her hometown, she takes notice of her neighborhood paper boy's unusual behavior.


Rotten Tomatoes

MOVIE INFO

This psychological horror opus from controversial director Victor Salva stars Rose McGowan as Sonny Blake. She's a radio therapist who moves back to her charming and idyllic hometown after her alcoholic dad dies. All seems fine, until she learns that the neighbors are terrified, across to board, of a local newspaper boy (Daniel Ross Owens). As it turns out, their fears are justified: he's a psychopath who may have been responsible for the murders of Sonny's dad and others in the community.
Rose McGowan always kicks Ass
Full Movie on IwannaWatch

The Warp




IMDb
  • An ambitious ghost hunter is hired by a wealthy building owner to investigate a haunted factory, and she contracts a crew of inexperienced workers to research. The crew becomes possessed by the paranormal presence in the building and the ghost hunters have to escape the factory.
    Written by Anonymous



Storyline

An ambitious ghost hunter is hired by a wealthy building owner to investigate a haunted factory, and she contracts a crew of inexperienced workers to research. The crew becomes possessed by the paranormal presence in the building and the ghost hunters have to escape the factory. Written by Anonymous

Full Movie on NowVideo

Dead Calm



IMDb
A mass-murderer kidnaps and seduces a young woman after leaving her husband to die on the vessel whose crew he's just slaughtered.


RogerEbert
The key image of "Dead Calm" is of two ships drawing near each other in the middle of a vast, empty expanse of ocean. The emotions generated by this shot, near the beginning of the film, underlie everything that follows, making us acutely aware that help is not going to arrive from anywhere, that the built-in protections of civilization are irrelevant and that the characters will have to settle their own destinies.
On board a sailing yacht are a married couple who hope that the cruise will help them deal with the death of their son. On board the other ship - a sinking schooner - is a young man who seems to be the only survivor from a tragic incident of food poisoning. He jumps into a lifeboat and rows for his life toward the yacht, where he is taken aboard. The husband, curious, goes to inspect the schooner, leaving his wife alone with the castaway, who of course turns out to be a homicidal killer.
Almost the entire movie involves these three characters in a violent game of psychological strategy. Sam Neill stars as the husband, who is stranded on the sinking ship when the killer sails away. Nicole Kidman is the wife, who has to outsmart and outfight the madman. And Billy Zane is the killer, wild-eyed and off-balance. The plot splits into two for most of the movie, with the woman on board the yacht with the killer, while her husband finds himself trapped in the hold of the sinking ship with the water rapidly rising above nose level. The counterpoint is effective.
A plot like this is probably impossible without two ancient movie traditions, the Talking Killer and the Undead Dead. Time and again in the movie, the story would be over if someone - anyone - simply pulled the trigger. There is a moment when the wife temporarily has the upper hand against this madman who has assaulted and beaten her and left her husband to drown, and what does she do? She ties him up! And with the knot in front, too - where he can get at it. Later in the film, after he appears to be dead, he reappears, of course, and has to be fought a second time.
And yet "Dead Calm" generates genuine tension, because the story is so simple and the performances are so straightforward. This is not a gimmick film (unless you count the husband's method of escaping from the sinking ship), and Kidman and Zane do generate real, palpable hatred in their scenes together.
Note: The film is based on a 1963 novel by Charles Williams, which inspired an ill-fated Orson Welles project that was suspended in 1970 and then abandoned in 1973 with the death of his leading man, Laurence Harvey. I haven't read the novel, but the story is worthy of a robust craftsman like John D. MacDonald - all except for the unnecessary prologue in the hospital, which he would have junked.

Full Movie on MovPod
And Xmovie8

Thursday, February 26, 2015

Legion




Rotten Tomatoes

MOVIE INFO

Scott Stewart's supernatural thriller Legion, scripted by Peter Schink, concerns a group of strangers in an out-of-the-way eatery who become the first line of defense when God, believing the human race is no longer worthy of Him, decides to end their existence. This motley crew's only spiritual ally is the archangel Michael, played by Paul Bettany. Dennis Quaid, Tyrese Gibson, Charles S. Dutton, and Lucas Black co-star in the Screen Gems production. ~ Perry Seibert, Rovi

The new end-of-days horror/action flick "Legion" sports a premise in which God is so over humankind that it's everything-must-go time for the planet's inhabitants. Too bad the supreme beings who decide what movies get made in Hollywood aren't yet fed up themselves with their own generated pestilence: tired, loud, dumb time-wasters like this.
Crossing Western tropes, mytho-religious hokum and the current vogue for apocalyptic scenarios, "Legion" opens with mysterious stranger Michael (Paul Bettany) falling to Earth (namely, L.A.), cutting off the wings that brought him here, then appropriating a cache of weapons.
Meanwhile, in the Mojave Desert, a loose collection of characters at a rickety diner -- the down-on-his-luck owner (Dennis Quaid), his glum yet dutiful son (Lucas Black), the owner's partner (Charles S. Dutton), a pregnant waitress (Adrianne Palicki), and a handful of patrons -- mope while a CGI flower of foreboding gray looms on the horizon. It's the elderly customer who morphs into a wall-crawling, bloodthirsty menace, though, that wakes everyone up to the suddenly ominous shift in the air. Then Michael shows up as the gunslinging renegade angel hoping to reverse a merciless slate-cleaning and save humanity (which, of course, involves an unborn baby).
Movies this ludicrous pull back from all-out camp at their own peril. So, while Kevin Durand's louche archangel Gabriel is a juicy howler -- sporting designer armor plating, sharp-edged wings and a spiky, whirring mace -- the mini-chamber dramas of faithlessness and bruised hope among the mortals, as concocted by director Scott Stewart and credited co-screenwriter Peter Schink, are snooze-worthy, cliché-ridden afterthoughts. Performances, meanwhile, range from old hands having bad days (Dutton, Quaid) to pretty faces looking lost (Palicki, Black). And though Bettany works the anti-heroic moodiness well enough, he's hardly a celestial Clint Eastwood.
Full Movie on IwannaWatch
And Pubfilm






Racing Daylight



IMDb
Sadie thinks she's going insane. Edmund is sure he's being haunted. And Henry, well Henry's just racing daylight.



Rotten tomatoes

MOVIE INFO

David Strathairn and Melissa Leo star in first-time feature filmmaker Nicole Quinn's Racing Daylight, a feature length love story told in three short films about hope and forgiveness. Part ghost story, part murder mystery, and part time-shifting tale of eternal love, the film follows the journey of Sadie Stokes (Leo), who has recently returned to her family farm in Cedersville to tend to her catatonic grandmother (Leclanche Durand). For as far back as anyone can remember, there have always been Stokes in Cedersville, though the family legacy appears to be fading as Sadie and Grandma are the last surviving members of their bloodline. One day, Sadie's staid existence is suddenly shattered when a mysterious man appears to her momentarily in a mirror, calling out the name "Anna" before vanishing back into the glass. Haunted by the mysterious apparition, Sadie gradually begins to take on the characteristics of her ancestor Anna Stokes while realizing that the only man capable of satisfying both herself and the apparition is Henry (Strathairn), the local handyman, and an avid Civil War enthusiast. But Sadie can't help but suspecting that Henry is in fact her long lost love Harry (Strathairn), and against the backdrop of the magical Hudson River Valley, an age-old mystery begins to take form in the present.
Full Movie on PopcornFlix

Night Train to Terror



IMDb
  • God and Satan are on a train discussing the fate of three individuals. The stories of the people in question are told in a trio of very strange vignettes. One involves an insane anylum with some very interesting treatment plans. Another involves a 'death club'. The final story shows us the adventures of a server of Satan. This is a strange movie.
    Written by Josh Pasnak <chainsaw@intouch.bc.ca>





MOVIE INFO

God and Satan are on a train discussing the fate of three individuals. The stories of the people in question are told in a trio of very strange vignettes. One involves an insane anylum with some very interesting treatment plans. Another involves a 'death club'. The final story shows us the adventures of a server of Satan. This is a strange movie

Full Movie on SnagFilms

With Sitting Bull at the Spirit Lake Massacre



IMDb
I did some research. There really was a Spirit Lake Massacre in which 40-50 settlers were killed by a branch of the Sioux tribe. However, it was NOT the branch from which Sitting Bull originated and the leader was a guy named Inkpaduta. But "Inkpaduta at the Spirit Lake Massacre" doesn't have such a nice ring to it, so the folks changed this and many other details. Four women, not two, were kidnapped--and two of them were then killed. So much for historical accuracy! Is the film still worth seeing? Well, yes. In some ways it is quite good.

It's odd but I have found most portrayals of American Indians in silent films to be better than in sound films from the 1930s-40s. In this case, Sitting Bull is played by a real Indian American. Sure, Chief Yowlachie (whose real name was Daniel Simmons) looked almost nothing like Sitting Bull and he came from the Yakima tribe in Washington, but at least he WAS an Indian! So many films of the sound era feature 'Indians' like Rock Hudson (I am not kidding), Charles Bronson and Iron Eyes Cody (who, despite his looks and his famous commercial in which he cried at the sight of garbage, was an Italian!). Now these guys played leading roles. The assorted Indian extras often were real Indians--but as often as not, they were just white guys painted with dye! Seriously! Also, the film got a few details I liked. Believe it or not, I was impressed by horse poo! Yes, in one tiny scene, you see a dirt street in the village and there's a pile of horse poo there--something you NEVER see in the heavily sanitized Hollywood films of later eras! This was a nice touch. And, the look of the film was quite nice.

Things NOT so admirable, other than historical inaccuracy, was the weird lack of a real resolution at the end of the film. Instead of showing anything, there is an intertitle card that sums up A LOT of action. Then, out of no where, you see the two heroines kissing their beaus! What sort of an ending was this?!



Rotten Tomatoes

MOVIE INFO

As helmed by Robert North Bradbury, the silent feature With Sitting Bull at the Spirit Lake Massacre was produced in 1925 but went unreleased until 1927, and was then considered lost for another 80 years. It stars a Native American thespian, Chief Yowlachie, as the famous 19th Century Sioux Indian Sitting Bull. The tale unfolds in the 1860s or 1870s, just outside of Spirit Lake, Iowa, where the burgeoning Caucasian populace continues to claim one Native American settlement after another, indiscriminately. They err (and in a big way) by laying hands on a settlement long promised to the Sioux, located at Spirit Lake proper; this, in turn, rouses the ire of Sitting Bull and prompts him to forcibly reclaim the territory.
Full Movie on SnagFilms



Wednesday, February 25, 2015

StripperLand




IMDb
  • A strange virus causes the majority of the female population to turn into lethal carnivorous zombie strippers. A small band of survivors - amiable geek Idaho, laconic macho cowboy Frisco, spunky Virginia, and her scrappy sister West - embark on a dangerous cross country trek to get to Grandma's house in Portland, Oregon.
    Written by Woodyanders




MOVIE INFO

When women everywhere are suddenly transformed into hyper-sexual, cannibalistic killing machines, a group of desperate survivors seek sanctuary on the West Coast, fighting for their lives every step of the way. Featuring Daniel Baldwin, Linnea Quigley, and Lloyd Kaufman. ~ Jason Buchanan, Rovi

Full movie on SnagFilms

Bread Crumbs



Rotten Tomatoes

MOVIE INFO

A shocking new twist on the familiar tale of Hansel and Gretel, Breadcrumbs finds a group of shady filmmakers falling prey to a murderous assailant while shooting an adult film at a remote cottage. Angie thought she had left her sordid past behind when a sleazy producer talked her into making one last movie. But as the cast and crew wind their way through a dense woods in search of their destination, they happen across Henry and Patti, two mysterious young siblings who seem to simply live amongst the trees. Later, after the group reaches the cabin and the cameras start to roll, they come under attack from a psychotic killer. Terrified after witnessing a cold blooded killing, lead actor Billy holds Patti hostage in hopes of warding off the unseen predator. But that only serves to enrage their murderous stalker and before long Henri, Patti, and Angie are the only ones left standing. Will Angie make it out of her final shoot alive, or was this always destined to be her bloody swan song? ~ Jason Buchanan, Rovi

The introduction of the film follows the twenty-something camping/filmmaking expedition clichés to a T, but the notion of experiencing the same old same is tossed right out the window pretty quickly. As it turns out these filmmakers aren’t out shooting your typical film. This clan is shooting pornography (which means virtually every character has broken a rule punishable by death in the horror realm, and we get to take in some pretty classic lines like, “Bullseye Pizza, we bulls eye in your eye”)! Yeah, caught me off guard as well, I must admit. Further preposterous territory is explored when a duo of creepy children begin lurking around our “filming location”; when I say creepy, believe me, these youngsters send chills down the spine.
As it turns out, these two, who one would assume certainly seem to play the Hansel and Gretel role (you’d figure based on the film’s title at least), aren’t a couple of unfortunate, unappealing kids. There’s a dark side to their motives (should have probably assumed that, with them running about the woods in the middle of the night chanting chilling tunes and battling over a porcelain doll), and one by one this group of adult entertainers are picked off in an assortment of rewarding ways. Arrows, bear traps, hangings, there’s all kinds of cool methods of human destruction here. In the end, there seems to indeed be a higher power at work, and the story does lean on the Hansel and Gretel mythology, but, the payoff isn’t what I’d call gratifying, and there are a few too many holes to find yourself completely engrossed in the film.
There are some nice shots and cool post filters utilized a time or two, but in general, there isn’t much of anything stimulating here. At the core, this is a standard slasher that tries to be something greater, but comes up a little short. The acting isn’t impressive on any front, and while I issue credit for the idea of placing a bunch of porn stars in this precarious setting, there isn’t a whole lot else to bite down on. Bread Crumbs is just another one of those flicks that offer a couple kick ass shots, but generally misses the mark, by a wide margin.
In closing I’ll say this: anytime a filmmaker transforms a gaunt, six foot tall, 100 pound punk kid as the uber villain capable of slaughtering handfuls of full grown, healthy adults, I have issues with it. For the love of God, beat the shit out of this punk and be done with it. My suspension of disbelief wears thin rather quickly, and this feature served as a solid reminder of that. To make it all worse, we’ve got a group of “protagonists” who make the most moronic decisions imaginable. In the end this isn’t the worst horror film made and it’s probably worth a single viewing, but it’s tough to stomach at times, and it’s not a high quality film by any stretch of the imagination, no doubt about it.

Full Movie on Snagfilms