This is a comedy "horror" cute MovieIMDB
Storyline
Rotten Tomatoes
Movie Info
Full Movie on PopcornFlix
Monday, March 31, 2014
Satans Littie Helper
This is a comedy "horror" cute MovieIMDB
Rotten Tomatoes
24th days
PopcornFlix
- Synopsis:
- Dan and Tom meet in a gay bar. The seemingly casual pickup turns into a nightmare when Tom accuses Dan of infecting him with HIV from a previous encounter. Toms holds Dan captive for 24 days until he gets the results of Dan s blood test, vowing to kill him if he is HIV positive.
-
- NYTimes
- A Secret From the Past, a Night of Suspense
By DAVE KEHR
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he 24th Day," an independent video feature written and directed by Tony Piccirillo, suggests a second-rate Off-Off Broadway play as it might have been captured on a camcorder by a doting parent.
Intended to be a suspense-filled two-hander in the tradition of "Deathtrap" and "Sleuth," "The 24th Day" offers Scott Speedman, a thick slice of white bread who appeared on the WB Network series "Felicity," as Tom, an affable metrosexual who allows himself to be picked up by Dan (James Marsden), an aspiring filmmaker.
Taking Dan back to his apartment, Tom suddenly turns shy, then sinister. This gay business, he says, is new to him. He's only slept with a man once before — five years ago — and that man gave him AIDS. And that man, he suspects, was Dan.
Insert first act curtain here. When we come back, Dan is Tom's prisoner, tied to a chair and forced to listen as Tom pours out his emotional history. It has been 24 days since Tom discovered that he had the AIDS virus. He believes that he passed the virus on to his wife, who committed suicide when she learned she was ill. Dan, says Tom, must pay. He draws a blood sample from his prisoner and submits it to a laboratory; if it comes back positive for H.I.V., Dan will die.
Much of "The 24th Day" is devoted to a psychological tug-of-war, as Dan tries to get the upper hand by faking sympathy for Tom and drawing him into personal conversation. (There is a long debate over who was the best Charlie's Angel — Kate Jackson or Farrah Fawcett — although the young protagonists would have barely been out of diapers at the time the show was on.)
There are a couple of violent reversals and a couple more minor revelations, as the film, which opens today in Manhattan, drifts toward its crushingly predictable climax. Mr. Piccirillo's direction reflects a basic knowledge of stagecraft but no discernable sense of filmmaking. The dull television-style close-ups march relentlessly across the screen, leaving only the ghostly trails of badly transferred video images behind.
"The 24th Day" is rated R (Under 17 requires accompanying parent or adult guardian), for strong language and adult situations.
THE 24th DAY
Written and directed by Tony Piccirillo; director of photography, J. Alan Hostetter; edited by Aaron Mackoff; music by Kevin Manthei; production designer, Norman B. Dodge; produced by Nick Stagliano; released by Screen Media Films. At the Village East, Second Avenue at 12th Street, East Village. Running time: 97 minutes. This film is rated R.
WITH: James Marsden (Dan), Scott Speedman (Scott) and Sofia Vergara (Isabella).
Full Movie on PopcornFlix
Deadly Blessing
Well a Wes Craven what could go wrong with a Wes Craven Film
Rotten Tomatoes
A horror subgenre best described as “religious horror” first emerged in the late ‘60s with Rosemary’s Baby. By the time The Exorcist
spit pea soup on audiences in December of 1973, religion as a symbol
system for producing terror had become as much a part of the horror
tradition as mad scientists and vampires.
In the ‘80s, religious-themed terror took a jingoistic turn. In a decade that began with the Mariana boat lift, films like Angel Heart and The Believers fed off of fears of foreign “cults”. In other words, the fear of the immigrant Other.
Religious horror could also fuel the fear of the Other within. Americans felt threatened by more than strange religions from foreign shores. Deadly Blessing fits snuggly into this unfortunate trend with a portrayal of a homegrown religious cult, a group known as the Hittites modeled closely on the Amish (though in a snatch of dialogue makes it clear that they are not the Amish). The Hittites believe that some strangers in their midst, recently widowed Maren Jensen and her two friends from L.A. played by Susan Buckner and Sharon Stone, are aligned with “the Incubus”, an explained source of seductive evil (not, strangely, the succubus, usually the name given to feminized evil).
The plot devolves rather quickly into a cross between a slasher film and a rather pedestrian murder mystery that may or may not have a supernatural background. Meanwhile, Sharon Stone wears a lot of lingerie and other things happen.
In other words, this is not a film to snatch up. By the time Craven made Deadly Blessing, he had already directed two horror classics, The Last House on the Left and The Hills Have Eyes. Nightmare on Elm Street, his masterpiece before the making of Scream, would come in 1984. Craven explains the origin of Deadly Blessing as coming out of TV work that he did with producer Max Heller. Unfortunately, Deadly Blessing has the feel of a made-for-TV effort, with a bit of nudity added here and there to insure an R-rating.
In other words, there’s not much here for horror fans to love. There’s a slightly creepy scene involving a tarantula. Michael Berryman looks as disturbing as he did in The Hills have Eyes, but does little more than slink around farmhouses and barns before he himself becomes a victim of whatever exactly is happening in Hittite country.
The one real tour de force here involves Maren Jensen in the bathtub with (paging Dr. Freud) a snake. Not only does the scene successfully shows off Craven’s genius for horror, the shot will be immediately recognizable to horror fans. This sequence is, almost frame for frame, Craven’s scratch work for the infamous scene in Nightmare on Elm Street when Freddy’s glove rises menacingly between Heather Langenkamps’ legs. The snake is, if anything, much more effective.
Special features focus on how Deadly Blessing included an odd ensemble of actor ranging from Ernest Borgnine to Sharon Stone to Lisa Hartman and Craven alum Michael Berryman. Craven in the excellent audio commentary describes himself as being mostly in charge of the casting process. If this is the case, he put together a cast from which he could get good performances in the midst of a bad script and a plot that staggers like its drunk.
Craven also tells us that he himself did an extensive rewrite on the work, suggesting that it came in rather bad shape. Interestingly the disc features a short interview with screenwriters Glenn Benest and Matthew Barr. They came at the script, apparently, with some fairly half-baked Freudianism. Benest and Barr basically suggest that they shaped the story and Craven did rewrite most of the script. They give him substantial credit for the few jump scares the film pulls off.
Other features include a discussion of the unfortunate creature effects at the end (both screenwriters were appalled at the ending and you will be, too). Horror fans will be delighted with an interview with icon Michael Berryman, well known to Craven aficionados.
The surprises ending of Deadly Blessing, fairly well telegraphed in an earlier scene or two, comes with an abrupt shock that apparently cost the studio an extra hundred thousand dollars and actually destroyed what little of value could have be salvaged from the plot.
In fact, perhaps the most positive thing I can say about the special edition of the film is its packaging. Its released in a distressed DVD box that gives it the appearance of a well-used VHS tape of a trashy horror film from the ‘80s. In other words, it hopes to sell itself on its B-flick origins.
Sadly, there are a lot better B-grade horror flicks from that era worth owning. This is one for Craven completists only.
Full Film on SnagFilms
Rotten Tomatoes
Movie Info
Deadly Blessing, a disappointing effort from famed horror-film
director Wes Craven, tells the story of a woman's fight against a
religious cult which will not stop at murder. Martha (Maren Jensen)
lives alone near a conservative, repressive religious cult led by Isaiah
(Ernest Borgnine). Martha's husband was murdered under mysterious
circumstances after he left the cult. Martha and her two visiting
friends Vicky (Susan Buckner) and Lana (Sharon Stone) find themselves
being pressured to live in
the area and they begin
having nightmares and accidents. Soon more murders begin, and the woman
fear for their lives. Craven gets good performances from his cast and
bases his plot on the interesting premise of persecution and
retribution, but the unsatisfying and implausible ending ruins what
suspense he has built. While on the whole, the film is a failure, it has
outstanding cinematography by Robert Jessup and a beautiful score
composed by James Horner. ~ Linda Rasmussen, Rovi
'Deadly Blessing' Is Wes Craven's Misstep on the Way to Elm Street
In the ‘80s, religious-themed terror took a jingoistic turn. In a decade that began with the Mariana boat lift, films like Angel Heart and The Believers fed off of fears of foreign “cults”. In other words, the fear of the immigrant Other.
Religious horror could also fuel the fear of the Other within. Americans felt threatened by more than strange religions from foreign shores. Deadly Blessing fits snuggly into this unfortunate trend with a portrayal of a homegrown religious cult, a group known as the Hittites modeled closely on the Amish (though in a snatch of dialogue makes it clear that they are not the Amish). The Hittites believe that some strangers in their midst, recently widowed Maren Jensen and her two friends from L.A. played by Susan Buckner and Sharon Stone, are aligned with “the Incubus”, an explained source of seductive evil (not, strangely, the succubus, usually the name given to feminized evil).
The plot devolves rather quickly into a cross between a slasher film and a rather pedestrian murder mystery that may or may not have a supernatural background. Meanwhile, Sharon Stone wears a lot of lingerie and other things happen.
In other words, this is not a film to snatch up. By the time Craven made Deadly Blessing, he had already directed two horror classics, The Last House on the Left and The Hills Have Eyes. Nightmare on Elm Street, his masterpiece before the making of Scream, would come in 1984. Craven explains the origin of Deadly Blessing as coming out of TV work that he did with producer Max Heller. Unfortunately, Deadly Blessing has the feel of a made-for-TV effort, with a bit of nudity added here and there to insure an R-rating.
In other words, there’s not much here for horror fans to love. There’s a slightly creepy scene involving a tarantula. Michael Berryman looks as disturbing as he did in The Hills have Eyes, but does little more than slink around farmhouses and barns before he himself becomes a victim of whatever exactly is happening in Hittite country.
The one real tour de force here involves Maren Jensen in the bathtub with (paging Dr. Freud) a snake. Not only does the scene successfully shows off Craven’s genius for horror, the shot will be immediately recognizable to horror fans. This sequence is, almost frame for frame, Craven’s scratch work for the infamous scene in Nightmare on Elm Street when Freddy’s glove rises menacingly between Heather Langenkamps’ legs. The snake is, if anything, much more effective.
Special features focus on how Deadly Blessing included an odd ensemble of actor ranging from Ernest Borgnine to Sharon Stone to Lisa Hartman and Craven alum Michael Berryman. Craven in the excellent audio commentary describes himself as being mostly in charge of the casting process. If this is the case, he put together a cast from which he could get good performances in the midst of a bad script and a plot that staggers like its drunk.
Craven also tells us that he himself did an extensive rewrite on the work, suggesting that it came in rather bad shape. Interestingly the disc features a short interview with screenwriters Glenn Benest and Matthew Barr. They came at the script, apparently, with some fairly half-baked Freudianism. Benest and Barr basically suggest that they shaped the story and Craven did rewrite most of the script. They give him substantial credit for the few jump scares the film pulls off.
Other features include a discussion of the unfortunate creature effects at the end (both screenwriters were appalled at the ending and you will be, too). Horror fans will be delighted with an interview with icon Michael Berryman, well known to Craven aficionados.
The surprises ending of Deadly Blessing, fairly well telegraphed in an earlier scene or two, comes with an abrupt shock that apparently cost the studio an extra hundred thousand dollars and actually destroyed what little of value could have be salvaged from the plot.
In fact, perhaps the most positive thing I can say about the special edition of the film is its packaging. Its released in a distressed DVD box that gives it the appearance of a well-used VHS tape of a trashy horror film from the ‘80s. In other words, it hopes to sell itself on its B-flick origins.
Sadly, there are a lot better B-grade horror flicks from that era worth owning. This is one for Craven completists only.
Full Film on SnagFilms
PLOT-CRUNCH
Hot chick (Maren Jensen)
lives in the Pennsylvania farmlands with her man. One night her husband
mysteriously kicks the bucket which results in her two best friends
coming down from the city to have her back. Next thing ya know, peeps
are dying, dangerous animals keep popping up in the girls bizznaz while
the Amish-like neighbors (the Hitittes) bust chops and name drop the
word “Incubus” any chance they get. WTF is going on here! A deadly
blessing bitches, that's what!
THE LOWDOWN
This past weekend was the so
called rapture (am still here, I guess I'll be partying in hell... along
with the rest of the population) and I celebrated it with FINALLY
clocking Wes Craven's first Studio effort DEADLY BLESSING. I had bought a
bootleg of it eons ago at a Comic Con and only now did I give it a
whirl. Hey, shit takes the time it takes. DEADLY BLESSING came after
Craven's indie shockers THE LAST HOUSE ON THE LEFT (1972), THE HILLS
HAVE EYES (1977) and the TV Movie SUMMER OF FEAR (1978). It marked his
return to the big screen where he damn belonged. So how did it go down?
Smooth as a hooker's well moisturized ass!
DEADLY BLESSING made my day in an “I so missed old school” kind of way. The image was grainy (mostly cause my copy was a rip of a VHS with lines that scroll up through the image and all... nice), the pace deliberately slow (in a good way) and the scares handled in a simple yet efficient manner. In fact DEADLY BLESSING totally came across as Wes Craven's training-wheels effort for NIGHTMARE ON ELM STREET and SCREAM. There was a bathtub scene in here that was pretty much a repeat of the Elm Street rub-a-dub bit. Same went for the way Craven shot the ominous looking house, how he conveyed the teen dynamic and used bad dreams to up the “brrr” of the piece. At some point, Sharon Stone's character yaps about a nightmare she had, having to do with a spider and some scary dude calling her name. If I squinted real hard, it could've been the sequence from Elm Street when Tina tells Nancy about her nightmare. On top of that, Maren Jensen was a dead ringer for Nancy (its the other way around, but ya know what I mean). As for the Scream similarities? Try a whodunit and a hooded killer dressed in black doing the stalker doo! Yup, it was a trip to witness Craven doing his cinematic push-ups, the pumps that would bring him to the Horror Master level he's at today.
What about the picture itself? Tight! The initial premise was gnarly, the mystery had me bamboozled throughout and there were so many horror subgenres at play here that it was tough to not find something to lust. Am talking: a slasher, a supernatural ditty, a psychological ringer and a religious horror jamboree...all rolled into one! Take that to the blood bank and bleed it! Directing wise; the picture was filled with spooky imagery, dread filled atmosphere, powerful wide shots and a money use of the killer POV device. Moreover, Craven was “on” when it came to surprising its audience (in this case me and my hand puppet Harry) and even managed to spit out a couple of clit biting suspense laced sequences. Oh and that red filter he slapped on during one of the kills? GOLD! Loved it! The fine cast delivered big time as well. Maren Jensen (Battlestar Gallactica), a young Sharon Stone (when she had meat on her bones...yum), the sexy “I had the hots for her in this” Susan Buckner (the preggers chick in Grease), Lisa Hartman, Jeff East, an entertainingly scene gobbling Ernest Borgnine, Hills Have Eyes star Michael Berryman... an eclectic and talented cast who brought validity to the nutty proceedings. Add to that potent sound design (the wind blowing = creepy) and a low key yet chilling score by James Horner (chanting = creepy) and you get a rollicking fear flick that got the job done!
So what dragged this sucka down? Well Sharon Stone's character and what ailed her was a tad underused. She was also very whiny. Shape up girl! Get up, dust yourself off, grab your crotch and scream “I am woman hear me get the hell out of dodge!” The whole “why aren't they just leaving that shit hole farm” thang also kept ringing in my hollow melon. When you know things are getting dangerous; ya book out, no? Not these dames! Sigh. My biggest peeve though was that the story was uber busy the whole way, hinting at so much, but when the finale kicked in, I realized that most of the buzz was for nothing. Taking into account what was built up, I was let down by the WHY behind the madness. But hey I'm a finicky f*ck. Lastly, the final frames were left field and somewhat cheesy. Like really man? I could have easily gone without them. Seems that the European release of the movie snipped out that final moment. Good for them! They saw a better movie!
With that spat, buried, unearthed and necro-defiled DEADLY BLESSING made for a compelling watch from start to finish. Not only cause it was involving, frightening, with talent in front and behind the lens, but also cause as a Wes Craven fan, it was dope to see early Craven flex his shit. So you gonna get blessed by this one or what?
DEADLY BLESSING made my day in an “I so missed old school” kind of way. The image was grainy (mostly cause my copy was a rip of a VHS with lines that scroll up through the image and all... nice), the pace deliberately slow (in a good way) and the scares handled in a simple yet efficient manner. In fact DEADLY BLESSING totally came across as Wes Craven's training-wheels effort for NIGHTMARE ON ELM STREET and SCREAM. There was a bathtub scene in here that was pretty much a repeat of the Elm Street rub-a-dub bit. Same went for the way Craven shot the ominous looking house, how he conveyed the teen dynamic and used bad dreams to up the “brrr” of the piece. At some point, Sharon Stone's character yaps about a nightmare she had, having to do with a spider and some scary dude calling her name. If I squinted real hard, it could've been the sequence from Elm Street when Tina tells Nancy about her nightmare. On top of that, Maren Jensen was a dead ringer for Nancy (its the other way around, but ya know what I mean). As for the Scream similarities? Try a whodunit and a hooded killer dressed in black doing the stalker doo! Yup, it was a trip to witness Craven doing his cinematic push-ups, the pumps that would bring him to the Horror Master level he's at today.
What about the picture itself? Tight! The initial premise was gnarly, the mystery had me bamboozled throughout and there were so many horror subgenres at play here that it was tough to not find something to lust. Am talking: a slasher, a supernatural ditty, a psychological ringer and a religious horror jamboree...all rolled into one! Take that to the blood bank and bleed it! Directing wise; the picture was filled with spooky imagery, dread filled atmosphere, powerful wide shots and a money use of the killer POV device. Moreover, Craven was “on” when it came to surprising its audience (in this case me and my hand puppet Harry) and even managed to spit out a couple of clit biting suspense laced sequences. Oh and that red filter he slapped on during one of the kills? GOLD! Loved it! The fine cast delivered big time as well. Maren Jensen (Battlestar Gallactica), a young Sharon Stone (when she had meat on her bones...yum), the sexy “I had the hots for her in this” Susan Buckner (the preggers chick in Grease), Lisa Hartman, Jeff East, an entertainingly scene gobbling Ernest Borgnine, Hills Have Eyes star Michael Berryman... an eclectic and talented cast who brought validity to the nutty proceedings. Add to that potent sound design (the wind blowing = creepy) and a low key yet chilling score by James Horner (chanting = creepy) and you get a rollicking fear flick that got the job done!
So what dragged this sucka down? Well Sharon Stone's character and what ailed her was a tad underused. She was also very whiny. Shape up girl! Get up, dust yourself off, grab your crotch and scream “I am woman hear me get the hell out of dodge!” The whole “why aren't they just leaving that shit hole farm” thang also kept ringing in my hollow melon. When you know things are getting dangerous; ya book out, no? Not these dames! Sigh. My biggest peeve though was that the story was uber busy the whole way, hinting at so much, but when the finale kicked in, I realized that most of the buzz was for nothing. Taking into account what was built up, I was let down by the WHY behind the madness. But hey I'm a finicky f*ck. Lastly, the final frames were left field and somewhat cheesy. Like really man? I could have easily gone without them. Seems that the European release of the movie snipped out that final moment. Good for them! They saw a better movie!
With that spat, buried, unearthed and necro-defiled DEADLY BLESSING made for a compelling watch from start to finish. Not only cause it was involving, frightening, with talent in front and behind the lens, but also cause as a Wes Craven fan, it was dope to see early Craven flex his shit. So you gonna get blessed by this one or what?
GORE
Pretty grandma dry. We get some stabbings, light blood and bullet hits. More red would have helped give this one further impact.
T & A
Maren Jensen treated us to her mini-Ts and sweet A. And there's another tangerine shot later on.
BOTTOM LINE
I love it when there are no
theatrical genre films spooking the big screen as it gives me a shot to
go back and crash older horror parties that I have yet to see. Horror
from the 70s and 80s are tops in my world and DEADLY BLESSING was no
exception. It had me hooked the whole way, showcased well done fear set
pieces, reeked of morose cinematography, was filled with swell ideas and
had a bang-on cast to boot. Bummer that it randomly suffered from the
usual duh horror pitfalls, Sharon Stone's character was a pinch
slim/grating, the final frames blew and that all it built up didn't
really come together come the finale. But ya know what? It didn't ruin
the movie for me, had a blast, hope it wont for you either. Next up, I
have yet to see LETS SCARE JESSICA TO DEATH, have owned it forever;
being that next weekend there are no genre theatrical releases... IT'S
ON!
BULL'S EYE
This was Sharon Stone's second movie.
A real spider was dropped into Stone's mouth and the only way she would do the scene was to have the spider defanged. So they amputated the insect... poor spider...
Actor Jeff East was also in Pumpkinhead (1988)
The film was shot on location in Lockhart, Texas.
During the tub scene, you can see Jensen's black panties beneath the bubbles. Booo!
- See more at: http://www.joblo.com/horror-movies/reviews/deadly-blessing#sthash.ZPle3JIk.dpufA real spider was dropped into Stone's mouth and the only way she would do the scene was to have the spider defanged. So they amputated the insect... poor spider...
Actor Jeff East was also in Pumpkinhead (1988)
The film was shot on location in Lockhart, Texas.
During the tub scene, you can see Jensen's black panties beneath the bubbles. Booo!
PLOT-CRUNCH
Hot chick (Maren Jensen)
lives in the Pennsylvania farmlands with her man. One night her husband
mysteriously kicks the bucket which results in her two best friends
coming down from the city to have her back. Next thing ya know, peeps
are dying, dangerous animals keep popping up in the girls bizznaz while
the Amish-like neighbors (the Hitittes) bust chops and name drop the
word “Incubus” any chance they get. WTF is going on here! A deadly
blessing bitches, that's what!
THE LOWDOWN
This past weekend was the so
called rapture (am still here, I guess I'll be partying in hell... along
with the rest of the population) and I celebrated it with FINALLY
clocking Wes Craven's first Studio effort DEADLY BLESSING. I had bought a
bootleg of it eons ago at a Comic Con and only now did I give it a
whirl. Hey, shit takes the time it takes. DEADLY BLESSING came after
Craven's indie shockers THE LAST HOUSE ON THE LEFT (1972), THE HILLS
HAVE EYES (1977) and the TV Movie SUMMER OF FEAR (1978). It marked his
return to the big screen where he damn belonged. So how did it go down?
Smooth as a hooker's well moisturized ass!
DEADLY BLESSING made my day in an “I so missed old school” kind of way. The image was grainy (mostly cause my copy was a rip of a VHS with lines that scroll up through the image and all... nice), the pace deliberately slow (in a good way) and the scares handled in a simple yet efficient manner. In fact DEADLY BLESSING totally came across as Wes Craven's training-wheels effort for NIGHTMARE ON ELM STREET and SCREAM. There was a bathtub scene in here that was pretty much a repeat of the Elm Street rub-a-dub bit. Same went for the way Craven shot the ominous looking house, how he conveyed the teen dynamic and used bad dreams to up the “brrr” of the piece. At some point, Sharon Stone's character yaps about a nightmare she had, having to do with a spider and some scary dude calling her name. If I squinted real hard, it could've been the sequence from Elm Street when Tina tells Nancy about her nightmare. On top of that, Maren Jensen was a dead ringer for Nancy (its the other way around, but ya know what I mean). As for the Scream similarities? Try a whodunit and a hooded killer dressed in black doing the stalker doo! Yup, it was a trip to witness Craven doing his cinematic push-ups, the pumps that would bring him to the Horror Master level he's at today.
What about the picture itself? Tight! The initial premise was gnarly, the mystery had me bamboozled throughout and there were so many horror subgenres at play here that it was tough to not find something to lust. Am talking: a slasher, a supernatural ditty, a psychological ringer and a religious horror jamboree...all rolled into one! Take that to the blood bank and bleed it! Directing wise; the picture was filled with spooky imagery, dread filled atmosphere, powerful wide shots and a money use of the killer POV device. Moreover, Craven was “on” when it came to surprising its audience (in this case me and my hand puppet Harry) and even managed to spit out a couple of clit biting suspense laced sequences. Oh and that red filter he slapped on during one of the kills? GOLD! Loved it! The fine cast delivered big time as well. Maren Jensen (Battlestar Gallactica), a young Sharon Stone (when she had meat on her bones...yum), the sexy “I had the hots for her in this” Susan Buckner (the preggers chick in Grease), Lisa Hartman, Jeff East, an entertainingly scene gobbling Ernest Borgnine, Hills Have Eyes star Michael Berryman... an eclectic and talented cast who brought validity to the nutty proceedings. Add to that potent sound design (the wind blowing = creepy) and a low key yet chilling score by James Horner (chanting = creepy) and you get a rollicking fear flick that got the job done!
So what dragged this sucka down? Well Sharon Stone's character and what ailed her was a tad underused. She was also very whiny. Shape up girl! Get up, dust yourself off, grab your crotch and scream “I am woman hear me get the hell out of dodge!” The whole “why aren't they just leaving that shit hole farm” thang also kept ringing in my hollow melon. When you know things are getting dangerous; ya book out, no? Not these dames! Sigh. My biggest peeve though was that the story was uber busy the whole way, hinting at so much, but when the finale kicked in, I realized that most of the buzz was for nothing. Taking into account what was built up, I was let down by the WHY behind the madness. But hey I'm a finicky f*ck. Lastly, the final frames were left field and somewhat cheesy. Like really man? I could have easily gone without them. Seems that the European release of the movie snipped out that final moment. Good for them! They saw a better movie!
With that spat, buried, unearthed and necro-defiled DEADLY BLESSING made for a compelling watch from start to finish. Not only cause it was involving, frightening, with talent in front and behind the lens, but also cause as a Wes Craven fan, it was dope to see early Craven flex his shit. So you gonna get blessed by this one or what?
DEADLY BLESSING made my day in an “I so missed old school” kind of way. The image was grainy (mostly cause my copy was a rip of a VHS with lines that scroll up through the image and all... nice), the pace deliberately slow (in a good way) and the scares handled in a simple yet efficient manner. In fact DEADLY BLESSING totally came across as Wes Craven's training-wheels effort for NIGHTMARE ON ELM STREET and SCREAM. There was a bathtub scene in here that was pretty much a repeat of the Elm Street rub-a-dub bit. Same went for the way Craven shot the ominous looking house, how he conveyed the teen dynamic and used bad dreams to up the “brrr” of the piece. At some point, Sharon Stone's character yaps about a nightmare she had, having to do with a spider and some scary dude calling her name. If I squinted real hard, it could've been the sequence from Elm Street when Tina tells Nancy about her nightmare. On top of that, Maren Jensen was a dead ringer for Nancy (its the other way around, but ya know what I mean). As for the Scream similarities? Try a whodunit and a hooded killer dressed in black doing the stalker doo! Yup, it was a trip to witness Craven doing his cinematic push-ups, the pumps that would bring him to the Horror Master level he's at today.
What about the picture itself? Tight! The initial premise was gnarly, the mystery had me bamboozled throughout and there were so many horror subgenres at play here that it was tough to not find something to lust. Am talking: a slasher, a supernatural ditty, a psychological ringer and a religious horror jamboree...all rolled into one! Take that to the blood bank and bleed it! Directing wise; the picture was filled with spooky imagery, dread filled atmosphere, powerful wide shots and a money use of the killer POV device. Moreover, Craven was “on” when it came to surprising its audience (in this case me and my hand puppet Harry) and even managed to spit out a couple of clit biting suspense laced sequences. Oh and that red filter he slapped on during one of the kills? GOLD! Loved it! The fine cast delivered big time as well. Maren Jensen (Battlestar Gallactica), a young Sharon Stone (when she had meat on her bones...yum), the sexy “I had the hots for her in this” Susan Buckner (the preggers chick in Grease), Lisa Hartman, Jeff East, an entertainingly scene gobbling Ernest Borgnine, Hills Have Eyes star Michael Berryman... an eclectic and talented cast who brought validity to the nutty proceedings. Add to that potent sound design (the wind blowing = creepy) and a low key yet chilling score by James Horner (chanting = creepy) and you get a rollicking fear flick that got the job done!
So what dragged this sucka down? Well Sharon Stone's character and what ailed her was a tad underused. She was also very whiny. Shape up girl! Get up, dust yourself off, grab your crotch and scream “I am woman hear me get the hell out of dodge!” The whole “why aren't they just leaving that shit hole farm” thang also kept ringing in my hollow melon. When you know things are getting dangerous; ya book out, no? Not these dames! Sigh. My biggest peeve though was that the story was uber busy the whole way, hinting at so much, but when the finale kicked in, I realized that most of the buzz was for nothing. Taking into account what was built up, I was let down by the WHY behind the madness. But hey I'm a finicky f*ck. Lastly, the final frames were left field and somewhat cheesy. Like really man? I could have easily gone without them. Seems that the European release of the movie snipped out that final moment. Good for them! They saw a better movie!
With that spat, buried, unearthed and necro-defiled DEADLY BLESSING made for a compelling watch from start to finish. Not only cause it was involving, frightening, with talent in front and behind the lens, but also cause as a Wes Craven fan, it was dope to see early Craven flex his shit. So you gonna get blessed by this one or what?
GORE
Pretty grandma dry. We get some stabbings, light blood and bullet hits. More red would have helped give this one further impact.
T & A
Maren Jensen treated us to her mini-Ts and sweet A. And there's another tangerine shot later on.
BOTTOM LINE
I love it when there are no
theatrical genre films spooking the big screen as it gives me a shot to
go back and crash older horror parties that I have yet to see. Horror
from the 70s and 80s are tops in my world and DEADLY BLESSING was no
exception. It had me hooked the whole way, showcased well done fear set
pieces, reeked of morose cinematography, was filled with swell ideas and
had a bang-on cast to boot. Bummer that it randomly suffered from the
usual duh horror pitfalls, Sharon Stone's character was a pinch
slim/grating, the final frames blew and that all it built up didn't
really come together come the finale. But ya know what? It didn't ruin
the movie for me, had a blast, hope it wont for you either. Next up, I
have yet to see LETS SCARE JESSICA TO DEATH, have owned it forever;
being that next weekend there are no genre theatrical releases... IT'S
ON!
BULL'S EYE
This was Sharon Stone's second movie.
A real spider was dropped into Stone's mouth and the only way she would do the scene was to have the spider defanged. So they amputated the insect... poor spider...
Actor Jeff East was also in Pumpkinhead (1988)
The film was shot on location in Lockhart, Texas.
During the tub scene, you can see Jensen's black panties beneath the bubbles. Booo!
- See more at: http://www.joblo.com/horror-movies/reviews/deadly-blessing#sthash.ZPle3JIk.dpufA real spider was dropped into Stone's mouth and the only way she would do the scene was to have the spider defanged. So they amputated the insect... poor spider...
Actor Jeff East was also in Pumpkinhead (1988)
The film was shot on location in Lockhart, Texas.
During the tub scene, you can see Jensen's black panties beneath the bubbles. Booo!
PLOT-CRUNCH
Hot chick (Maren Jensen)
lives in the Pennsylvania farmlands with her man. One night her husband
mysteriously kicks the bucket which results in her two best friends
coming down from the city to have her back. Next thing ya know, peeps
are dying, dangerous animals keep popping up in the girls bizznaz while
the Amish-like neighbors (the Hitittes) bust chops and name drop the
word “Incubus” any chance they get. WTF is going on here! A deadly
blessing bitches, that's what!
THE LOWDOWN
This past weekend was the so
called rapture (am still here, I guess I'll be partying in hell... along
with the rest of the population) and I celebrated it with FINALLY
clocking Wes Craven's first Studio effort DEADLY BLESSING. I had bought a
bootleg of it eons ago at a Comic Con and only now did I give it a
whirl. Hey, shit takes the time it takes. DEADLY BLESSING came after
Craven's indie shockers THE LAST HOUSE ON THE LEFT (1972), THE HILLS
HAVE EYES (1977) and the TV Movie SUMMER OF FEAR (1978). It marked his
return to the big screen where he damn belonged. So how did it go down?
Smooth as a hooker's well moisturized ass!
DEADLY BLESSING made my day in an “I so missed old school” kind of way. The image was grainy (mostly cause my copy was a rip of a VHS with lines that scroll up through the image and all... nice), the pace deliberately slow (in a good way) and the scares handled in a simple yet efficient manner. In fact DEADLY BLESSING totally came across as Wes Craven's training-wheels effort for NIGHTMARE ON ELM STREET and SCREAM. There was a bathtub scene in here that was pretty much a repeat of the Elm Street rub-a-dub bit. Same went for the way Craven shot the ominous looking house, how he conveyed the teen dynamic and used bad dreams to up the “brrr” of the piece. At some point, Sharon Stone's character yaps about a nightmare she had, having to do with a spider and some scary dude calling her name. If I squinted real hard, it could've been the sequence from Elm Street when Tina tells Nancy about her nightmare. On top of that, Maren Jensen was a dead ringer for Nancy (its the other way around, but ya know what I mean). As for the Scream similarities? Try a whodunit and a hooded killer dressed in black doing the stalker doo! Yup, it was a trip to witness Craven doing his cinematic push-ups, the pumps that would bring him to the Horror Master level he's at today.
What about the picture itself? Tight! The initial premise was gnarly, the mystery had me bamboozled throughout and there were so many horror subgenres at play here that it was tough to not find something to lust. Am talking: a slasher, a supernatural ditty, a psychological ringer and a religious horror jamboree...all rolled into one! Take that to the blood bank and bleed it! Directing wise; the picture was filled with spooky imagery, dread filled atmosphere, powerful wide shots and a money use of the killer POV device. Moreover, Craven was “on” when it came to surprising its audience (in this case me and my hand puppet Harry) and even managed to spit out a couple of clit biting suspense laced sequences. Oh and that red filter he slapped on during one of the kills? GOLD! Loved it! The fine cast delivered big time as well. Maren Jensen (Battlestar Gallactica), a young Sharon Stone (when she had meat on her bones...yum), the sexy “I had the hots for her in this” Susan Buckner (the preggers chick in Grease), Lisa Hartman, Jeff East, an entertainingly scene gobbling Ernest Borgnine, Hills Have Eyes star Michael Berryman... an eclectic and talented cast who brought validity to the nutty proceedings. Add to that potent sound design (the wind blowing = creepy) and a low key yet chilling score by James Horner (chanting = creepy) and you get a rollicking fear flick that got the job done!
So what dragged this sucka down? Well Sharon Stone's character and what ailed her was a tad underused. She was also very whiny. Shape up girl! Get up, dust yourself off, grab your crotch and scream “I am woman hear me get the hell out of dodge!” The whole “why aren't they just leaving that shit hole farm” thang also kept ringing in my hollow melon. When you know things are getting dangerous; ya book out, no? Not these dames! Sigh. My biggest peeve though was that the story was uber busy the whole way, hinting at so much, but when the finale kicked in, I realized that most of the buzz was for nothing. Taking into account what was built up, I was let down by the WHY behind the madness. But hey I'm a finicky f*ck. Lastly, the final frames were left field and somewhat cheesy. Like really man? I could have easily gone without them. Seems that the European release of the movie snipped out that final moment. Good for them! They saw a better movie!
With that spat, buried, unearthed and necro-defiled DEADLY BLESSING made for a compelling watch from start to finish. Not only cause it was involving, frightening, with talent in front and behind the lens, but also cause as a Wes Craven fan, it was dope to see early Craven flex his shit. So you gonna get blessed by this one or what?
DEADLY BLESSING made my day in an “I so missed old school” kind of way. The image was grainy (mostly cause my copy was a rip of a VHS with lines that scroll up through the image and all... nice), the pace deliberately slow (in a good way) and the scares handled in a simple yet efficient manner. In fact DEADLY BLESSING totally came across as Wes Craven's training-wheels effort for NIGHTMARE ON ELM STREET and SCREAM. There was a bathtub scene in here that was pretty much a repeat of the Elm Street rub-a-dub bit. Same went for the way Craven shot the ominous looking house, how he conveyed the teen dynamic and used bad dreams to up the “brrr” of the piece. At some point, Sharon Stone's character yaps about a nightmare she had, having to do with a spider and some scary dude calling her name. If I squinted real hard, it could've been the sequence from Elm Street when Tina tells Nancy about her nightmare. On top of that, Maren Jensen was a dead ringer for Nancy (its the other way around, but ya know what I mean). As for the Scream similarities? Try a whodunit and a hooded killer dressed in black doing the stalker doo! Yup, it was a trip to witness Craven doing his cinematic push-ups, the pumps that would bring him to the Horror Master level he's at today.
What about the picture itself? Tight! The initial premise was gnarly, the mystery had me bamboozled throughout and there were so many horror subgenres at play here that it was tough to not find something to lust. Am talking: a slasher, a supernatural ditty, a psychological ringer and a religious horror jamboree...all rolled into one! Take that to the blood bank and bleed it! Directing wise; the picture was filled with spooky imagery, dread filled atmosphere, powerful wide shots and a money use of the killer POV device. Moreover, Craven was “on” when it came to surprising its audience (in this case me and my hand puppet Harry) and even managed to spit out a couple of clit biting suspense laced sequences. Oh and that red filter he slapped on during one of the kills? GOLD! Loved it! The fine cast delivered big time as well. Maren Jensen (Battlestar Gallactica), a young Sharon Stone (when she had meat on her bones...yum), the sexy “I had the hots for her in this” Susan Buckner (the preggers chick in Grease), Lisa Hartman, Jeff East, an entertainingly scene gobbling Ernest Borgnine, Hills Have Eyes star Michael Berryman... an eclectic and talented cast who brought validity to the nutty proceedings. Add to that potent sound design (the wind blowing = creepy) and a low key yet chilling score by James Horner (chanting = creepy) and you get a rollicking fear flick that got the job done!
So what dragged this sucka down? Well Sharon Stone's character and what ailed her was a tad underused. She was also very whiny. Shape up girl! Get up, dust yourself off, grab your crotch and scream “I am woman hear me get the hell out of dodge!” The whole “why aren't they just leaving that shit hole farm” thang also kept ringing in my hollow melon. When you know things are getting dangerous; ya book out, no? Not these dames! Sigh. My biggest peeve though was that the story was uber busy the whole way, hinting at so much, but when the finale kicked in, I realized that most of the buzz was for nothing. Taking into account what was built up, I was let down by the WHY behind the madness. But hey I'm a finicky f*ck. Lastly, the final frames were left field and somewhat cheesy. Like really man? I could have easily gone without them. Seems that the European release of the movie snipped out that final moment. Good for them! They saw a better movie!
With that spat, buried, unearthed and necro-defiled DEADLY BLESSING made for a compelling watch from start to finish. Not only cause it was involving, frightening, with talent in front and behind the lens, but also cause as a Wes Craven fan, it was dope to see early Craven flex his shit. So you gonna get blessed by this one or what?
GORE
Pretty grandma dry. We get some stabbings, light blood and bullet hits. More red would have helped give this one further impact.
T & A
Maren Jensen treated us to her mini-Ts and sweet A. And there's another tangerine shot later on.
BOTTOM LINE
I love it when there are no
theatrical genre films spooking the big screen as it gives me a shot to
go back and crash older horror parties that I have yet to see. Horror
from the 70s and 80s are tops in my world and DEADLY BLESSING was no
exception. It had me hooked the whole way, showcased well done fear set
pieces, reeked of morose cinematography, was filled with swell ideas and
had a bang-on cast to boot. Bummer that it randomly suffered from the
usual duh horror pitfalls, Sharon Stone's character was a pinch
slim/grating, the final frames blew and that all it built up didn't
really come together come the finale. But ya know what? It didn't ruin
the movie for me, had a blast, hope it wont for you either. Next up, I
have yet to see LETS SCARE JESSICA TO DEATH, have owned it forever;
being that next weekend there are no genre theatrical releases... IT'S
ON!
BULL'S EYE
This was Sharon Stone's second movie.
A real spider was dropped into Stone's mouth and the only way she would do the scene was to have the spider defanged. So they amputated the insect... poor spider...
Actor Jeff East was also in Pumpkinhead (1988)
The film was shot on location in Lockhart, Texas.
During the tub scene, you can see Jensen's black panties beneath the bubbles. Booo!
- See more at: http://www.joblo.com/horror-movies/reviews/deadly-blessing#sthash.ZPle3JIk.dpufA real spider was dropped into Stone's mouth and the only way she would do the scene was to have the spider defanged. So they amputated the insect... poor spider...
Actor Jeff East was also in Pumpkinhead (1988)
The film was shot on location in Lockhart, Texas.
During the tub scene, you can see Jensen's black panties beneath the bubbles. Booo!
PLOT-CRUNCH
Hot chick (Maren Jensen)
lives in the Pennsylvania farmlands with her man. One night her husband
mysteriously kicks the bucket which results in her two best friends
coming down from the city to have her back. Next thing ya know, peeps
are dying, dangerous animals keep popping up in the girls bizznaz while
the Amish-like neighbors (the Hitittes) bust chops and name drop the
word “Incubus” any chance they get. WTF is going on here! A deadly
blessing bitches, that's what!
THE LOWDOWN
This past weekend was the so
called rapture (am still here, I guess I'll be partying in hell... along
with the rest of the population) and I celebrated it with FINALLY
clocking Wes Craven's first Studio effort DEADLY BLESSING. I had bought a
bootleg of it eons ago at a Comic Con and only now did I give it a
whirl. Hey, shit takes the time it takes. DEADLY BLESSING came after
Craven's indie shockers THE LAST HOUSE ON THE LEFT (1972), THE HILLS
HAVE EYES (1977) and the TV Movie SUMMER OF FEAR (1978). It marked his
return to the big screen where he damn belonged. So how did it go down?
Smooth as a hooker's well moisturized ass!
DEADLY BLESSING made my day in an “I so missed old school” kind of way. The image was grainy (mostly cause my copy was a rip of a VHS with lines that scroll up through the image and all... nice), the pace deliberately slow (in a good way) and the scares handled in a simple yet efficient manner. In fact DEADLY BLESSING totally came across as Wes Craven's training-wheels effort for NIGHTMARE ON ELM STREET and SCREAM. There was a bathtub scene in here that was pretty much a repeat of the Elm Street rub-a-dub bit. Same went for the way Craven shot the ominous looking house, how he conveyed the teen dynamic and used bad dreams to up the “brrr” of the piece. At some point, Sharon Stone's character yaps about a nightmare she had, having to do with a spider and some scary dude calling her name. If I squinted real hard, it could've been the sequence from Elm Street when Tina tells Nancy about her nightmare. On top of that, Maren Jensen was a dead ringer for Nancy (its the other way around, but ya know what I mean). As for the Scream similarities? Try a whodunit and a hooded killer dressed in black doing the stalker doo! Yup, it was a trip to witness Craven doing his cinematic push-ups, the pumps that would bring him to the Horror Master level he's at today.
What about the picture itself? Tight! The initial premise was gnarly, the mystery had me bamboozled throughout and there were so many horror subgenres at play here that it was tough to not find something to lust. Am talking: a slasher, a supernatural ditty, a psychological ringer and a religious horror jamboree...all rolled into one! Take that to the blood bank and bleed it! Directing wise; the picture was filled with spooky imagery, dread filled atmosphere, powerful wide shots and a money use of the killer POV device. Moreover, Craven was “on” when it came to surprising its audience (in this case me and my hand puppet Harry) and even managed to spit out a couple of clit biting suspense laced sequences. Oh and that red filter he slapped on during one of the kills? GOLD! Loved it! The fine cast delivered big time as well. Maren Jensen (Battlestar Gallactica), a young Sharon Stone (when she had meat on her bones...yum), the sexy “I had the hots for her in this” Susan Buckner (the preggers chick in Grease), Lisa Hartman, Jeff East, an entertainingly scene gobbling Ernest Borgnine, Hills Have Eyes star Michael Berryman... an eclectic and talented cast who brought validity to the nutty proceedings. Add to that potent sound design (the wind blowing = creepy) and a low key yet chilling score by James Horner (chanting = creepy) and you get a rollicking fear flick that got the job done!
So what dragged this sucka down? Well Sharon Stone's character and what ailed her was a tad underused. She was also very whiny. Shape up girl! Get up, dust yourself off, grab your crotch and scream “I am woman hear me get the hell out of dodge!” The whole “why aren't they just leaving that shit hole farm” thang also kept ringing in my hollow melon. When you know things are getting dangerous; ya book out, no? Not these dames! Sigh. My biggest peeve though was that the story was uber busy the whole way, hinting at so much, but when the finale kicked in, I realized that most of the buzz was for nothing. Taking into account what was built up, I was let down by the WHY behind the madness. But hey I'm a finicky f*ck. Lastly, the final frames were left field and somewhat cheesy. Like really man? I could have easily gone without them. Seems that the European release of the movie snipped out that final moment. Good for them! They saw a better movie!
With that spat, buried, unearthed and necro-defiled DEADLY BLESSING made for a compelling watch from start to finish. Not only cause it was involving, frightening, with talent in front and behind the lens, but also cause as a Wes Craven fan, it was dope to see early Craven flex his shit. So you gonna get blessed by this one or what?
DEADLY BLESSING made my day in an “I so missed old school” kind of way. The image was grainy (mostly cause my copy was a rip of a VHS with lines that scroll up through the image and all... nice), the pace deliberately slow (in a good way) and the scares handled in a simple yet efficient manner. In fact DEADLY BLESSING totally came across as Wes Craven's training-wheels effort for NIGHTMARE ON ELM STREET and SCREAM. There was a bathtub scene in here that was pretty much a repeat of the Elm Street rub-a-dub bit. Same went for the way Craven shot the ominous looking house, how he conveyed the teen dynamic and used bad dreams to up the “brrr” of the piece. At some point, Sharon Stone's character yaps about a nightmare she had, having to do with a spider and some scary dude calling her name. If I squinted real hard, it could've been the sequence from Elm Street when Tina tells Nancy about her nightmare. On top of that, Maren Jensen was a dead ringer for Nancy (its the other way around, but ya know what I mean). As for the Scream similarities? Try a whodunit and a hooded killer dressed in black doing the stalker doo! Yup, it was a trip to witness Craven doing his cinematic push-ups, the pumps that would bring him to the Horror Master level he's at today.
What about the picture itself? Tight! The initial premise was gnarly, the mystery had me bamboozled throughout and there were so many horror subgenres at play here that it was tough to not find something to lust. Am talking: a slasher, a supernatural ditty, a psychological ringer and a religious horror jamboree...all rolled into one! Take that to the blood bank and bleed it! Directing wise; the picture was filled with spooky imagery, dread filled atmosphere, powerful wide shots and a money use of the killer POV device. Moreover, Craven was “on” when it came to surprising its audience (in this case me and my hand puppet Harry) and even managed to spit out a couple of clit biting suspense laced sequences. Oh and that red filter he slapped on during one of the kills? GOLD! Loved it! The fine cast delivered big time as well. Maren Jensen (Battlestar Gallactica), a young Sharon Stone (when she had meat on her bones...yum), the sexy “I had the hots for her in this” Susan Buckner (the preggers chick in Grease), Lisa Hartman, Jeff East, an entertainingly scene gobbling Ernest Borgnine, Hills Have Eyes star Michael Berryman... an eclectic and talented cast who brought validity to the nutty proceedings. Add to that potent sound design (the wind blowing = creepy) and a low key yet chilling score by James Horner (chanting = creepy) and you get a rollicking fear flick that got the job done!
So what dragged this sucka down? Well Sharon Stone's character and what ailed her was a tad underused. She was also very whiny. Shape up girl! Get up, dust yourself off, grab your crotch and scream “I am woman hear me get the hell out of dodge!” The whole “why aren't they just leaving that shit hole farm” thang also kept ringing in my hollow melon. When you know things are getting dangerous; ya book out, no? Not these dames! Sigh. My biggest peeve though was that the story was uber busy the whole way, hinting at so much, but when the finale kicked in, I realized that most of the buzz was for nothing. Taking into account what was built up, I was let down by the WHY behind the madness. But hey I'm a finicky f*ck. Lastly, the final frames were left field and somewhat cheesy. Like really man? I could have easily gone without them. Seems that the European release of the movie snipped out that final moment. Good for them! They saw a better movie!
With that spat, buried, unearthed and necro-defiled DEADLY BLESSING made for a compelling watch from start to finish. Not only cause it was involving, frightening, with talent in front and behind the lens, but also cause as a Wes Craven fan, it was dope to see early Craven flex his shit. So you gonna get blessed by this one or what?
GORE
Pretty grandma dry. We get some stabbings, light blood and bullet hits. More red would have helped give this one further impact.
T & A
Maren Jensen treated us to her mini-Ts and sweet A. And there's another tangerine shot later on.
BOTTOM LINE
I love it when there are no
theatrical genre films spooking the big screen as it gives me a shot to
go back and crash older horror parties that I have yet to see. Horror
from the 70s and 80s are tops in my world and DEADLY BLESSING was no
exception. It had me hooked the whole way, showcased well done fear set
pieces, reeked of morose cinematography, was filled with swell ideas and
had a bang-on cast to boot. Bummer that it randomly suffered from the
usual duh horror pitfalls, Sharon Stone's character was a pinch
slim/grating, the final frames blew and that all it built up didn't
really come together come the finale. But ya know what? It didn't ruin
the movie for me, had a blast, hope it wont for you either. Next up, I
have yet to see LETS SCARE JESSICA TO DEATH, have owned it forever;
being that next weekend there are no genre theatrical releases... IT'S
ON!
BULL'S EYE
This was Sharon Stone's second movie.
A real spider was dropped into Stone's mouth and the only way she would do the scene was to have the spider defanged. So they amputated the insect... poor spider...
Actor Jeff East was also in Pumpkinhead (1988)
The film was shot on location in Lockhart, Texas.
During the tub scene, you can see Jensen's black panties beneath the bubbles. Booo!
- See more at: http://www.joblo.com/horror-movies/reviews/deadly-blessing#sthash.ZPle3JIk.dpufA real spider was dropped into Stone's mouth and the only way she would do the scene was to have the spider defanged. So they amputated the insect... poor spider...
Actor Jeff East was also in Pumpkinhead (1988)
The film was shot on location in Lockhart, Texas.
During the tub scene, you can see Jensen's black panties beneath the bubbles. Booo!
PLOT-CRUNCH
Hot chick (Maren Jensen)
lives in the Pennsylvania farmlands with her man. One night her husband
mysteriously kicks the bucket which results in her two best friends
coming down from the city to have her back. Next thing ya know, peeps
are dying, dangerous animals keep popping up in the girls bizznaz while
the Amish-like neighbors (the Hitittes) bust chops and name drop the
word “Incubus” any chance they get. WTF is going on here! A deadly
blessing bitches, that's what!
THE LOWDOWN
This past weekend was the so
called rapture (am still here, I guess I'll be partying in hell... along
with the rest of the population) and I celebrated it with FINALLY
clocking Wes Craven's first Studio effort DEADLY BLESSING. I had bought a
bootleg of it eons ago at a Comic Con and only now did I give it a
whirl. Hey, shit takes the time it takes. DEADLY BLESSING came after
Craven's indie shockers THE LAST HOUSE ON THE LEFT (1972), THE HILLS
HAVE EYES (1977) and the TV Movie SUMMER OF FEAR (1978). It marked his
return to the big screen where he damn belonged. So how did it go down?
Smooth as a hooker's well moisturized ass!
DEADLY BLESSING made my day in an “I so missed old school” kind of way. The image was grainy (mostly cause my copy was a rip of a VHS with lines that scroll up through the image and all... nice), the pace deliberately slow (in a good way) and the scares handled in a simple yet efficient manner. In fact DEADLY BLESSING totally came across as Wes Craven's training-wheels effort for NIGHTMARE ON ELM STREET and SCREAM. There was a bathtub scene in here that was pretty much a repeat of the Elm Street rub-a-dub bit. Same went for the way Craven shot the ominous looking house, how he conveyed the teen dynamic and used bad dreams to up the “brrr” of the piece. At some point, Sharon Stone's character yaps about a nightmare she had, having to do with a spider and some scary dude calling her name. If I squinted real hard, it could've been the sequence from Elm Street when Tina tells Nancy about her nightmare. On top of that, Maren Jensen was a dead ringer for Nancy (its the other way around, but ya know what I mean). As for the Scream similarities? Try a whodunit and a hooded killer dressed in black doing the stalker doo! Yup, it was a trip to witness Craven doing his cinematic push-ups, the pumps that would bring him to the Horror Master level he's at today.
What about the picture itself? Tight! The initial premise was gnarly, the mystery had me bamboozled throughout and there were so many horror subgenres at play here that it was tough to not find something to lust. Am talking: a slasher, a supernatural ditty, a psychological ringer and a religious horror jamboree...all rolled into one! Take that to the blood bank and bleed it! Directing wise; the picture was filled with spooky imagery, dread filled atmosphere, powerful wide shots and a money use of the killer POV device. Moreover, Craven was “on” when it came to surprising its audience (in this case me and my hand puppet Harry) and even managed to spit out a couple of clit biting suspense laced sequences. Oh and that red filter he slapped on during one of the kills? GOLD! Loved it! The fine cast delivered big time as well. Maren Jensen (Battlestar Gallactica), a young Sharon Stone (when she had meat on her bones...yum), the sexy “I had the hots for her in this” Susan Buckner (the preggers chick in Grease), Lisa Hartman, Jeff East, an entertainingly scene gobbling Ernest Borgnine, Hills Have Eyes star Michael Berryman... an eclectic and talented cast who brought validity to the nutty proceedings. Add to that potent sound design (the wind blowing = creepy) and a low key yet chilling score by James Horner (chanting = creepy) and you get a rollicking fear flick that got the job done!
So what dragged this sucka down? Well Sharon Stone's character and what ailed her was a tad underused. She was also very whiny. Shape up girl! Get up, dust yourself off, grab your crotch and scream “I am woman hear me get the hell out of dodge!” The whole “why aren't they just leaving that shit hole farm” thang also kept ringing in my hollow melon. When you know things are getting dangerous; ya book out, no? Not these dames! Sigh. My biggest peeve though was that the story was uber busy the whole way, hinting at so much, but when the finale kicked in, I realized that most of the buzz was for nothing. Taking into account what was built up, I was let down by the WHY behind the madness. But hey I'm a finicky f*ck. Lastly, the final frames were left field and somewhat cheesy. Like really man? I could have easily gone without them. Seems that the European release of the movie snipped out that final moment. Good for them! They saw a better movie!
With that spat, buried, unearthed and necro-defiled DEADLY BLESSING made for a compelling watch from start to finish. Not only cause it was involving, frightening, with talent in front and behind the lens, but also cause as a Wes Craven fan, it was dope to see early Craven flex his shit. So you gonna get blessed by this one or what?
DEADLY BLESSING made my day in an “I so missed old school” kind of way. The image was grainy (mostly cause my copy was a rip of a VHS with lines that scroll up through the image and all... nice), the pace deliberately slow (in a good way) and the scares handled in a simple yet efficient manner. In fact DEADLY BLESSING totally came across as Wes Craven's training-wheels effort for NIGHTMARE ON ELM STREET and SCREAM. There was a bathtub scene in here that was pretty much a repeat of the Elm Street rub-a-dub bit. Same went for the way Craven shot the ominous looking house, how he conveyed the teen dynamic and used bad dreams to up the “brrr” of the piece. At some point, Sharon Stone's character yaps about a nightmare she had, having to do with a spider and some scary dude calling her name. If I squinted real hard, it could've been the sequence from Elm Street when Tina tells Nancy about her nightmare. On top of that, Maren Jensen was a dead ringer for Nancy (its the other way around, but ya know what I mean). As for the Scream similarities? Try a whodunit and a hooded killer dressed in black doing the stalker doo! Yup, it was a trip to witness Craven doing his cinematic push-ups, the pumps that would bring him to the Horror Master level he's at today.
What about the picture itself? Tight! The initial premise was gnarly, the mystery had me bamboozled throughout and there were so many horror subgenres at play here that it was tough to not find something to lust. Am talking: a slasher, a supernatural ditty, a psychological ringer and a religious horror jamboree...all rolled into one! Take that to the blood bank and bleed it! Directing wise; the picture was filled with spooky imagery, dread filled atmosphere, powerful wide shots and a money use of the killer POV device. Moreover, Craven was “on” when it came to surprising its audience (in this case me and my hand puppet Harry) and even managed to spit out a couple of clit biting suspense laced sequences. Oh and that red filter he slapped on during one of the kills? GOLD! Loved it! The fine cast delivered big time as well. Maren Jensen (Battlestar Gallactica), a young Sharon Stone (when she had meat on her bones...yum), the sexy “I had the hots for her in this” Susan Buckner (the preggers chick in Grease), Lisa Hartman, Jeff East, an entertainingly scene gobbling Ernest Borgnine, Hills Have Eyes star Michael Berryman... an eclectic and talented cast who brought validity to the nutty proceedings. Add to that potent sound design (the wind blowing = creepy) and a low key yet chilling score by James Horner (chanting = creepy) and you get a rollicking fear flick that got the job done!
So what dragged this sucka down? Well Sharon Stone's character and what ailed her was a tad underused. She was also very whiny. Shape up girl! Get up, dust yourself off, grab your crotch and scream “I am woman hear me get the hell out of dodge!” The whole “why aren't they just leaving that shit hole farm” thang also kept ringing in my hollow melon. When you know things are getting dangerous; ya book out, no? Not these dames! Sigh. My biggest peeve though was that the story was uber busy the whole way, hinting at so much, but when the finale kicked in, I realized that most of the buzz was for nothing. Taking into account what was built up, I was let down by the WHY behind the madness. But hey I'm a finicky f*ck. Lastly, the final frames were left field and somewhat cheesy. Like really man? I could have easily gone without them. Seems that the European release of the movie snipped out that final moment. Good for them! They saw a better movie!
With that spat, buried, unearthed and necro-defiled DEADLY BLESSING made for a compelling watch from start to finish. Not only cause it was involving, frightening, with talent in front and behind the lens, but also cause as a Wes Craven fan, it was dope to see early Craven flex his shit. So you gonna get blessed by this one or what?
GORE
Pretty grandma dry. We get some stabbings, light blood and bullet hits. More red would have helped give this one further impact.
T & A
Maren Jensen treated us to her mini-Ts and sweet A. And there's another tangerine shot later on.
BOTTOM LINE
I love it when there are no
theatrical genre films spooking the big screen as it gives me a shot to
go back and crash older horror parties that I have yet to see. Horror
from the 70s and 80s are tops in my world and DEADLY BLESSING was no
exception. It had me hooked the whole way, showcased well done fear set
pieces, reeked of morose cinematography, was filled with swell ideas and
had a bang-on cast to boot. Bummer that it randomly suffered from the
usual duh horror pitfalls, Sharon Stone's character was a pinch
slim/grating, the final frames blew and that all it built up didn't
really come together come the finale. But ya know what? It didn't ruin
the movie for me, had a blast, hope it wont for you either. Next up, I
have yet to see LETS SCARE JESSICA TO DEATH, have owned it forever;
being that next weekend there are no genre theatrical releases... IT'S
ON!
BULL'S EYE
This was Sharon Stone's second movie.
A real spider was dropped into Stone's mouth and the only way she would do the scene was to have the spider defanged. So they amputated the insect... poor spider...
Actor Jeff East was also in Pumpkinhead (1988)
The film was shot on location in Lockhart, Texas.
During the tub scene, you can see Jensen's black panties beneath the bubbles. Booo!
- See more at: http://www.joblo.com/horror-movies/reviews/deadly-blessing#sthash.ZPle3JIk.dpufA real spider was dropped into Stone's mouth and the only way she would do the scene was to have the spider defanged. So they amputated the insect... poor spider...
Actor Jeff East was also in Pumpkinhead (1988)
The film was shot on location in Lockhart, Texas.
During the tub scene, you can see Jensen's black panties beneath the bubbles. Booo!
FagBug
Well My Pastor is in this movie She Rules
Rotten Tomatoes
Erin Davies was attending an event in support of Lesbian, Gay,
Bisexual and Transgender rights when she walked back to her car and
discovered her Volkswagen Beetle had been vandalized -- someone had
spray painted FAG across one side and U R GAY on the other. Davies was
shocked and angered, but rather than simply have her car repainted, she
chose to use the event to raise public awareness of hate crimes against
the LGBT community. Davies mapped out a road trip visiting 58 cities
across the United
States, some with
supportive LGBT communities and others in locations where anti-gay hate
crimes had occurred in the past. Davies brought along a small camera
crew to document the reactions to her defaced automobile, and Fagbug is a
documentary that charts the progress of Davies' trip across the
country, as well as recording how people responded, both positively and
negatively, to the provocative statement presented by her car. Fagbug
was an official selection at the 2009 San Francisco International LGBT
Film Festival. ~ Mark Deming, Rovi
Full Movie on SnagFilms
Rotten Tomatoes
Movie Info
Full Movie on SnagFilms
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